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Section of the Bayeux Tapestry. The 'Bayeux Tapestry' (a misnomer as it is really an embroidery not a tapestry) tells the story of the Norman invasion of England in 1066. The theme of the Bayeux Tapestry is treason and deception. [17] The narrative reflects a partisan Norman view of the events of the conquest of England.
A scene from the Bayeux Tapestry depicting Bishop Odo rallying Duke William's army during the Battle of Hastings in 1066. The Bayeux Tapestry [a] is an embroidered cloth nearly 70 metres (230 feet) long and 50 centimetres (20 inches) tall [1] that depicts the events leading up to the Norman Conquest of England in 1066, led by William, Duke of Normandy challenging Harold II, King of England ...
"The Unicorn Rests in a Garden," also called "The Unicorn in Captivity," is the best-known of the Unicorn Tapestries. [1]The Unicorn Tapestries or the Hunt of the Unicorn (French: La Chasse à la licorne) is a series of seven tapestries made in the South Netherlands around 1495–1505, and now in The Cloisters in New York.
The embroidery tells the story of Operation Overlord, which was the code name for the Allied invasion of Normandy in June 1944. [3] The narrative begins well before the invasion, with war-time production and The Blitz. It continues through the entry of the United States into the war, and the planning and preparation of the invasion.
The Prestonpans Tapestry is a 104 metres long embroidery which tells the story of Bonnie Prince Charlie and the Battle of Prestonpans. Le Bouquet (1951) by Marc Saint-Saens is among the best and most representative French tapestries of the fifties. It is a tribute to Saint-Saens's predilection for scenes from nature and rustic life. [66]
The six original tapestries illustrate the story of the Grail quest as told in Sir Thomas Malory's 1485 book Le Morte d'Arthur.Like other Morris & Co. tapestries, the Holy Grail sequence was a group effort, with overall composition and figures designed by Edward Burne-Jones, heraldry by William Morris, and foreground florals and backgrounds by John Henry Dearle.