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The Monuments Men is a 2014 war film directed by George Clooney, and written and produced by Clooney and Grant Heslov. The film stars an ensemble cast including Clooney, Matt Damon , Bill Murray , John Goodman , Jean Dujardin , Bob Balaban , Hugh Bonneville and Cate Blanchett .
The Monuments, Fine Arts, and Archives program is the subject of the 2014 Sony Pictures and 20th Century Fox film The Monuments Men. The film, which stars George Clooney , Matt Damon , Jean Dujardin , Cate Blanchett , and John Goodman , is based on Robert M. Edsel 's New York Times best-selling 2007 book Monuments Men: Allied Heroes, Nazi ...
Valland, who inspired the role played by Cate Blanchett in the “The Monuments Men” movie, died at 81 in 1980. Edsel said the last working WWII-era monuments officer was a woman.
Robert Morse Edsel [1] (born December 28, 1956) is an American businessman and author. He has written three non-fiction books - Rescuing Da Vinci (2006), Monuments Men: Allied Heroes, Nazi Thieves and the Greatest Treasure Hunt in History (2007); and Saving Italy (2013) - chronicling the recovery of artwork stolen by Nazi Germany during World War II.
As Monuments Men opens this week with an all-star cast led by George Clooney and Matt Damon, so does an exhibit dedicated to the Monuments Men at Kansas City's Nelson-Atkins Museum of Art.
In 2009 Valland was also one of the main subjects of Robert M. Edsel's book The Monuments Men, which would later serve as the basis of the 2014 film of the same name. [20] Valland was an inspiration for the character of Claire Simone, portrayed by Cate Blanchett in the George Clooney-directed film The Monuments Men, released in February 2014. [21]
Image credits: historycoolkids The History Cool Kids Instagram account has amassed an impressive 1.5 million followers since its creation in 2016. But the page’s success will come as no surprise ...
The Monuments Men is Desplat's second collaboration with Clooney as a director, after previously working on The Ides of March (2011). [1] [2] When Clooney offered him the script, Desplat felt excited as it reflected the scores of Maurice Jarre and Elmer Bernstein from the 1950s and 1960s, adding that Clooney wanted the film to reflect the timeline instead of making an epic war film. [3]