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Sacred Harp and Related Shape-Note Music Resources – an extensive site of resources concerning Sacred Harp, other Shape-Note music, Gallery music, etc. Singing with Sol-fa Syllables Archived 25 September 2004 at the Wayback Machine – article about singing schools and shape notes; The Shape of Music – book on teaching small children ...
They included both music and text and were introduced by an extended essay on the rudiments of singing. Each song was known by the name given to its tune rather than by a title drawn from the text." [1] The following is a partial list of the shape note tunebooks published over the last two centuries. The list is divided according to the two ...
Law used the shaped notes without a musical staff. The Smith and Little shapes ultimately prevailed. Shape notes became very popular, and during the first part of the nineteenth century, a whole series of shape note tunebooks appeared, many of which were widely distributed. As the population spread west and south, the tradition of shape note ...
Shape notes are a system of music notation designed to facilitate choral singing. Shape notes of various kinds have been used for over two centuries in a variety of sacred choral music traditions, all of them rooted in the Southern United States .
An 1847 publication of Southern Harmony, showing the title "New Britain" ("Amazing Grace") and shape note music. Play ⓘ. The roots of Southern Harmony singing, like the Sacred Harp, are found in the American colonial era, when singing schools convened to provide instruction in choral singing, especially for use in church services.
The music of The Sacred Harp is eclectic in origin, and can be roughly grouped into the following categories of songs (listed chronologically). In the examples listed below, songs are identified by the page number in the two most prominent modern versions of The Sacred Harp; the so-called "Denson edition" and the "Cooper edition". Thus, "D,C 49 ...
Harmonia Sacra is a Mennonite shape note hymn and tune book, originally published as A Compilation of Genuine Church Music in 1832 (Singers Glen, Virginia) by Joseph Funk (1778–1862). The original publication was a "four-shape" shape note book using the shapes and syllables "faw, sol, law, and mi".
Walker learned shape note music in singing schools; it had been used by Baptist and Methodist preachers in the Second Great Awakening to help spread Christianity in the South. Because the music could be read and sung by amateurs, hymns in shape note annotation became the centerpiece of many revivals and camp meetings on the frontier. Walker ...