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2 Thessalonians 2:8 ο κυριος (the LORD) – B D 2 1739 1881 Byz Irenaeus ο κυριος Ιησους (the Lord Jesus) – א A D* F G P Ψ 0278 33 81 104 365 1241 2464 latt syr cop Irenaeus lat Origen Didymus. 2 Thessalonians 2:13 θεου (God) – D* lat κυριου (Lord) – rell. 2 Thessalonians 2:13
The structures of the two letters (to which Best refers) include opening greetings (1 Thessalonians 1:1a, 2 Thessalonians 1:1–2) and closing benedictions (1 Thessalonians 5:28, 2 Thessalonians 3:16d–18) which frame two, balancing, sections (AA'). In 2 Thessalonians these begin with similar successions of nine Greek words, at 1:3 and 2:13.
The katechon, which restrains his coming, was someone or something that was known to the Thessalonians and active in their time: "You know what is restraining" (2 Thes 2:6). As the Catholic New American Bible states: "Traditionally, 2 Thes 2:6 has been applied to the Roman empire and 2 Thes 2:7 to the Roman emperor [...] as bulwarks holding ...
3: Mix. ii–V–I progression: ii–V–I: 3: Major ii–V–I with tritone substitution (♭ II7 instead of V7) ii– ♭ II –I: 3: Major ii-V-I with ♭ III + as dominant substitute: ii– ♭ III + –I: 3: Mix. vii o 7 /V–V–I (common in ragtime) vii o 7 /V–V–I: 3: Major Andalusian cadence: iv–III– ♭ II–I: 4: PD Backdoor ...
For example, 1 Thessalonians 2:9 is almost identical to 2 Thessalonians 3:8. This has been explained in the following ways: Paul wrote 2 Thessalonians soon after writing 1 Thessalonians or with the aid of a copy of 1 Thessalonians, or Paul wrote 1 Thessalonians himself but a later writer imitated him, or the linguistic similarities are seen as ...
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
Triads (or any other tertian chords) are built by superimposing every other note of a diatonic scale (e.g., standard major or minor scale). For example, a C major triad uses the notes C–E–G. This spells a triad by skipping over D and F. While the interval from each note to the one above it is a third, the quality of those thirds varies ...