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In dominant function, the VII half diminished chord, like its fully diminished counterpart, can take the place of the dominant V chord at a point of cadential motion. This chord, sometimes called a leading-tone diminished seventh chord , is represented by the Roman numeral notation vii ø 7 , the root of which is the leading-tone to the tonic ...
A half-diminished seventh chord is a seventh chord built from the seventh degree of a major scale. It is considered "half-diminished" because a fully diminished seventh has a double-flatted (diminished) seventh, making it enharmonically the same as a major sixth. The half-diminished seventh chord uses a minor seventh over the root of a ...
Added tone chord; Altered chord; Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing ...
Chord qualities are related to the qualities of the component intervals that define the chord. The main chord qualities are: Major and minor; Augmented, diminished, and half-diminished; Dominant; Some of the symbols used for chord quality are similar to those used for interval quality: No symbol, or sometimes M or Maj for major; m, or min for minor
In minor, a seventh chord built on the supertonic yields a half-diminished seventh chord, which is a very strong predominant chord. Due to what is considered the harsh nature of root position diminished chords, the ii ø chord most often appears in first inversion.
The harmonic major scale has its own set of modes, distinct from the harmonic minor, melodic minor, and major modes, depending on which note serves as the tonic.Below are the mode names, their degrees, and the following seventh chords that can be built using each modal tonic or degree of the parent mode as the root: a major seventh chord, a half-diminished seventh chord, a minor seventh chord ...
The leading-tone seventh chords are vii ø 7 and vii o 7, [24] the half-diminished and diminished seventh chords on the seventh scale degree of the major and harmonic minor. For example, in C major and C minor, the leading-tone seventh chords are B half-diminished (B–D–F–A) and B diminished (B–D–F–A ♭), respectively.
The half-diminished seventh chord contains the same tritone, while the fully diminished seventh chord is made up of two superposed tritones a minor third apart. Other chords built on these, such as ninth chords, often include tritones (as diminished fifths).