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An adverb that modifies an adjective or adverb comes before that adjective or adverb: complètement vrai ("completely true") pas possible ("not possible") trop bien cuit ("too well cooked" or "overdone") An adverb that modifies an infinitive (verbal noun) generally comes after the infinitive: marcher lentement ("to walk slowly")
The simple (one-word) forms are commonly referred to as the present, the simple past or preterite [b] (past tense, perfective aspect), the imperfect [b] (past tense, imperfective aspect), the future, the conditional, [c] the present subjunctive, and the imperfect subjunctive. However, the simple past is rarely used in informal French, and the ...
A prop-word: one, as in "the blue one" A pro-adjective substitutes an adjective or a phrase that functions as an adjective: so as in "It is less so than we had expected." A pro-adverb substitutes an adverb or a phrase that functions as an adverb: how or this way. A pro-verb substitutes a verb or a verb phrase: do, as in: "I will go to the party ...
(adverb in verb phrase) He was [very gentle]. (adverb in adjective phrase) She set it down [very gently]. (adverb in adverb phrase) [Even more] people were there. (adverb modifying a determiner) It ran [right up the tree]. (adverb modifying a prepositional phrase) [Only the dog] was saved. (adverb modifying a noun phrase) In some cases, noun ...
Modifying adverbial phrases combine with a sentence, and the removal of the adverbial phrase yields a well-formed sentence. For example, in (5) the modifying adverbial phrase in an hour can be removed, and the sentence remains well-formed (e.g., I'll go to bed); in (6) the modifying AdvP three hours later can be omitted, and the sentence remains well-formed (e.g., We arrived); and in (7), the ...
against the blow. This word describes the repercussion of a physical or mental shock, or an indirect consequence of an event. Contre-jour contre-jour against daylight. This word (mostly used in art namely photography, cinema or painting) describes the light that illumines an object from the other side of your own point of view. contretemps
The comparative degrees are frequently associated with adjectives and adverbs because these words take the -er suffix or modifying word more or less. (e.g., faster, more intelligent, less wasteful). Comparison can also, however, appear when no adjective or adverb is present, for instance with nouns (e.g., more men than women).
[optional in place of period] when the language of the gloss lacks a one-word translation, a phrase may be joined by underscores, e.g., Turkish çık-mak (come_out-INF) "to come out" With some authors, the reverse is also true, for a two-word phrase glossed with a single word. [2] [21] › >, →, :