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Onna-musha (女武者) is a term referring to female warriors in pre-modern Japan, [1] [2] who were members of the bushi class. They were trained in the use of weapons to protect their household, family, and honour in times of war; [ 3 ] [ 4 ] many of them fought in battle alongside samurai men.
Hangaku Gozen, woodblock print by Tsukioka Yoshitoshi, c. 1885 . Lady Hangaku (坂額御前, Hangaku Gozen) [1] was a onna-musha warrior, [2] [3] one of the relatively few Japanese warrior women commonly known in history or classical literature.
A wave of interest in Japanese art swept France from the mid-19th century, called Japonisme. Exhibitions in Paris of Japanese art began to be staged in the 1880s, include an Utamaro exhibition in 1888 by the German-French art dealer Siegfried Bing. [41] The French Impressionists regarded Utamaro's work on a level akin with Hokusai and Hiroshige ...
Kitagawa Utamaro (c. 1753 –1806) made his name in the 1790s with his bijin ōkubi-e ("large-headed pictures of beautiful women") portraits, focusing on the head and upper torso. [4] He experimented with line, colour, and printing techniques to bring out subtle differences in the features, expressions, and backdrops of subjects from a wide ...
Chie Fueki (born 1973), Japanese-American painter; Mihona Fujii (born 1974), manga artist; Kazuko Fujita (born 1957), manga artist; Cocoa Fujiwara (1983–2015), manga artist; Hiro Fujiwara (born 1981), manga artist; Keiko Fukazawa (born 1955), ceramicist and sculptor; Ikuyo Fujita (birth year unknown), needle felt artist
Utamaro made a hand-fan painting similar to this print c. 1802–03 called Giyaman Oshima (ぎやまんおしま). The name is inscribed on the fan. Giyaman is an Edo-period Japanese word for "glass", so the name translates as "Glass Oshima". She was likely a popular beauty in Edo of the day.