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"Creeque Alley" is an autobiographical hit single written by John Phillips and Michelle Phillips of the Mamas and the Papas in late 1966, narrating the story of how the group was formed, and its early years. The third song on the album Deliver, it peaked at number 5 on the US Billboard pop singles chart the week of Memorial Day 1967,
The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...
Alternating lyrics, misspelled songwriting credits, and uncrediting of the song's publishers. [53] 2006 "Mbube" (1920) Solomon Linda "The Lion Sleeps Tonight" (1961) Disney's usage of the Tokens' song on the movie The Lion King: Back royalties and songwriting credits [54] 2007 "If We Could Start All Over" (1993) Eddy and Danny van Passel
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
Lyrics appeared in 1927 in The American Songbag by Carl Sandburg, [12] having come through Gilbert Raynolds Combs. [ 12 ] [ 13 ] Those lyrics are used by Bill Keith and Jim Rooney , [ citation needed ] by James Taylor on his 1972 album One Man Dog , and by The Country Gentlemen on their eponymous 1973 album .
"Over the Rainbow" (Arlen/Harburg) exemplifies the 20th-century popular 32-bar song. [1]The 32-bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century.
He wrote Andrews' biggest hit, the song "Soothe Me". Greene's lyrics were stylish and often had strong emotional impact. [2] The idea for "Across the Alley from the Alamo" came to Greene in 1946 in the middle of the night. He had been writing songs for Nat King Cole, and visited Cole's manager the next morning, who thought the song had potential.
The original 1978 vinyl release of the soundtrack omitted some of the material. The design of the record's inner sleeve reflected the Apple/EMI 1962–1966 ("Red") and 1967–1970 ("Blue") compilation Beatles albums released in 1973, with printed lyrics, red, blue and white layouts, and the track listing for the two album sides using similar periods (side one: 1962–67, side two: 1967–70).