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Gislebertus, Giselbertus or Ghiselbertus, sometimes "of Autun" (flourished in the 12th century), was a French Romanesque sculptor, whose decoration (about 1120–1135) of the Cathedral of Saint Lazare at Autun, France – consisting of numerous doorways, tympanums and capitals – represents some of the most original work of the period.
The Cathedral of Saint Lazarus of Autun (French: Cathédrale Saint-Lazare d'Autun), commonly known as Autun Cathedral, is a Roman Catholic cathedral in Autun and a national monument of France. Famous for its Cluniac inspiration and its Romanesque sculptures by Gislebertus , it is a highlight of Romanesque art [ 1 ] in Burgundy.
Gislebert or Gilbert (Gislebertus, Willebertus, Galeverius, Galtherus) 859 and 878; ... In 1793, the Cathedral of Chartres was converted to a Temple of Reason.
Gislebertus worked on several churches between France and Italy, and applied many similar features across them. The Autun Cathedral is an excellent example, emphasizing thinness and decoration in everything from the towers to the walls to the tympanum. Also common in Gilbertese's work, The Autun tympanum has a very narrow inscription below it ...
Capital from Autun cathedral. Sculptor: Gislebertus Deutsch: Der Traum der Weisen bzw. der Heiligen drei Könige (Magier); Kapitell an der Kathedrale von Autun; Steinmetz: Giselbertus
The similarity between both lintels is due in large part to the fact that the same master artisan, Master Gislebertus, was the primary architect on both sites. "Gislebertus ... began his career at Cluny, then worked on the original west facade at Vézelay, and c. 1120 moved to Autun."
Where traditional compositions generally contrast an ordered, harmonious heavenly world above with the tumultuous events taking place in the earthly zone below, in Michelangelo's conception the arrangement and posing of the figures across the entire painting give an impression of agitation and excitement, [4] and even in the upper parts there is "a profound disturbance, tension and commotion ...
The Autun Cathedral is famous for its architectural sculpture, particularly the tympanum of The Last Judgment above the west portal, surviving fragments from the lost portal of the north transept, and the capitals in the nave and choir. All of these are traditionally considered the work of Gislebertus, whose name is on