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A fragment of a Gospel Book, now in the Durham Cathedral library and created in northern Britain in the 7th century, contains the earliest example of true knotted designs in the Celtic manner. Examples of plait work (a woven, unbroken [clarification needed] cord design) predate knotwork designs in several cultures around the world, [2] but the ...
An example from early medieval stonework is the Anglo-Saxon frithstool at Hexham Abbey. [3] The symbol has been interpreted as representing the Holy Trinity, especially since the Celtic revival of the 19th century. The original intention by the early medieval artists is unknown and experts [who?] warn against over-interpretation. [2]
The Celtic leaf-crown (German: Blattkrone) is a motif of Celtic art from the early La Tène period. A leaf-crown is composed of two broad lobe-shaped elements. The crowns adorn the heads of anthropomorphic figures, almost always male and often bearded. The lobes have been identified with mistletoe leaves. The interpretation of this motif is ...
The language of these inscriptions is predominantly Primitive Irish, but a few examples are fragments of the Pictish language. Ogham itself is an Early Medieval form of alphabet or cipher, sometimes also known as the "Celtic Tree Alphabet". A number of different numbering schemes are used.
Late examples of the triple spiral symbols are found in Iron Age Europe, carved in rock in Castro Culture settlements in Galicia, Asturias, and Northern Portugal. The symbol took on new meaning to Irish Celtic Christians before the 5th century CE as a symbol of the Trinity. [citation needed]
Also covered by the term is the visual art of the Celtic Revival (on the whole more notable for literature) from the 18th century to the modern era, which began as a conscious effort by Modern Celts, mostly in the British Isles, to express self-identification and nationalism, and became popular well beyond the Celtic nations, and whose style is ...
Gaelic type (sometimes called Irish character, Irish type, or Gaelic script) is a family of Insular script typefaces devised for printing Early Modern Irish.It was widely used from the 16th century until the mid-18th century in Scotland and the mid-20th century in Ireland, but is now rarely used.
The Silver Branch or Silver Bough (Irish: An Craobh Airgid) is a symbol found in Irish mythology and literature. Featured in the Irish poem The Voyage of Bran and the narrative Cormac's Adventure in the Land of Promise, it represents entry into the Celtic Otherworld or Tír na nÓg.