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A typical copper foil Tiffany lamp, with a jonquil daffodil design Clara Driscoll, head designer at Tiffany & Co., c. 1899–1920, Tiffany "Daffodil" leaded glass table lamp. This is an example of copper foil glasswork, an alternative to came glasswork.
A Tiffany lamp is a type of lamp made of glass and shade designed by Louis Comfort Tiffany or artisans, mostly women, and made (in originals) in his design studio. The glass in the lampshades is put together with the copper-foil technique instead of leaded, the classic technique for stained-glass windows.
The tradition of stained glass manufacture has continued, with mosques, palaces, and public spaces being decorated with stained glass throughout the Islamic world. The stained glass of Islam is generally non-pictorial and of purely geometric design, but may contain both floral motifs and text.
The term 'leadlight' could be used to describe any window in which the glass is supported by lead, but traditionally, a distinction is made between stained glass windows and leadlights; the former is associated with the ornate coloured-glass windows of churches and similar buildings, while the latter is associated with the windows of vernacular ...
The two Margaret Ropes were first cousins, granddaughters of George Rope of Grove Farm, Blaxhall, Suffolk (1814-1912) and his wife Anne (née Pope) (1821-1882). The elder Margaret Rope, Margaret Agnes Rope, was the second child of Henry John Rope, M.D (1847-1899) and Agnes Maud (née Burd: 1857- 1948).
Stained Glass was exhibited lining the eastern walls [10] of the Central North gallery of the Crystal Palace. Around 1845 there was a revival of interest in all types of worked glass, reflected in the choice of panes of sheet or window glass 49 inches long to cover the exhibition halls.
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