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The term pencak silat has been adopted globally in reference to professional competitive silat for sport, similar to the Chinese word wushu. Regional dialect names include penca ( West Java ), dika or padik (Thailand), silek (the Minangkabau pronunciation of silat), main-po or maen po (in the lower speech of Sundanese ), and gayong or gayung ...
Similar to the Chinese dichotomy between the spear and broadsword, the kaoliam in silat acts as the counter to the golok. A related weapon is the angkusa or elephant-goad measuring 2–3 ft (0.61–0.91 m) long with a tip of steel or bronze.
Pencak silat (Indonesian pronunciation: [ˈpənt͡ʃaʔ ˈsilat]; in Western writings sometimes spelled "pentjak silat" or phonetically as "penchak silat") is an umbrella term for a class of related Indonesian martial arts.
Silat is a generic name for the martial arts of certain countries in Southeast Asia. There is untold number of Silat systems in Maritime Southeast Asia , with there being over 150 styles recognized styles of pencak silat in Indonesia, [ 1 ] and more in aboard.
To promote, expand, and improve worldwide, the practice of Pencak Silat, with its core value to support the achievement of social, economic development, human progress, world peace, and the millennium development goals, propagating the Olympic Movement through the sport of Pencak Silat and supporting all members in unity to achieve the common goal of building a better world.
Persaudaraan Setia Hati Terate (lit. "Brotherhood of the Obedient Heart — Lotus", abbreviated as PSHT or SH Terate) is a sports and pencak silat organization (perguruan silat) from East Java, Indonesia, created by Ki Hadjar Hardjo Oetomo in 1922 and was later agreed to be renamed to Persaudaraan Setia Hati Terate at its first congress in Madiun in 1948.
Silat Melayu (Jawi: سيلت ملايو ), also known as Seni Persilatan Melayu [1] ('art of Malay Silat') or simply Silat, is a combative art of self-defence from the Malay world, that employs langkah ('steps') and jurus ('movements') to ward off or to strike assaults, either with or without weapons.
Seni Gayung Fatani originated from the Malays Empire. [4] In 1840, it was brought to Kedah by Syeikh Abdul Rahman. The style was expanded upon by his son Tok Yah Ramli. Another of Abdul Rahman's students was Pak Teh Mat Ali who taught this style to Pak Andak Embong, who in turn passed it down to Tuan Guru Anuar Abdul Wa