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The track is a love song dedicated to Oliver Sykes' wife, Alissa Salls. [8] Fish said of the song: "Vocal-wise it's quite a big song. There's a little bit of Portuguese in there, which is quite unusual. It's kind of a big, anthemic song. It's probably as close as we get to something like "Drown" on this album. It's a love song, so it's an ...
The song tells the story of three fishes, who defy their mother's command of swimming only in a meadow, by swimming over a dam and on out to sea, where they encounter a shark, which the fish describe as a whale. They flee for their lives and return to the meadow in safety. The song was a US No. 1 hit for Kay Kyser and his band in 1939.
There are two distinct sets of lyrics in popular culture for the song. The theme of the TV series of the same name, sung by Alex Glasgow, was released as a BBC single and uses the traditional lyrics. The songs represent a boy waiting for the boat to come in, dancing to his father, singing to his mother, eating a fish.
"Come On Down to My Boat" is a song written by Jerry Goldstein and Wes Farrell and performed by Every Mother's Son. Their only top 40 hit ever, it reached No. 6 on the Billboard Hot 100 in 1967, [1] and appeared on their self-titled debut album; on the album the track was titled "Come and Take a Ride in My Boat". [2]
The lyrics of "Mother" address both of Lennon's parents, each of whom abandoned him in his childhood. [4] His father, Alf, left the family when Lennon was an infant. [4] His mother, Julia, did not live with her son, although they had a good relationship; she was killed in a car accident on 15 July 1958 by an off-duty policeman named Eric Clague when Lennon was 17. [4]
"One, Two, Three, Four, Five" is one of many counting-out rhymes. It was first recorded in Mother Goose's Melody around 1765. Like most versions until the late 19th century, it had only the first stanza and dealt with a hare, not a fish: One, two, three, four and five, I caught a hare alive; Six, seven, eight, nine and ten, I let him go again. [1]
Tips for Go Fish players Don’t peek. Adams stresses the importance of not peeking at the cards. “Deal out all the cards evenly to each player. Any leftovers get stacked facedown in the ‘pool ...
As was customary, the songs to be used in the broadcast were taped in advance as a back-up in case the live broadcast versions did not go well. [7] The song was so well received that Decca Records decided to issue the pre-recording commercially and it charted briefly in June 1951 with a peak position of #19. [8]