Search results
Results From The WOW.Com Content Network
Revelation 5 is the fifth chapter of the Book of Revelation or the Apocalypse of John in the New Testament of the Christian Bible. The book is traditionally attributed to John the Apostle, [1] [2] but the precise identity of the author remains a point of academic debate. [3] This chapter contains the inaugural vision of the lamb on the throne ...
On Folio 27v of the Bamberg Apocalypse is the first full depiction of Revelation 11 with a narrative divided into three key scenes. The figures on the top preach as the beast attacks two witness that then get resurrected on the bottom right register. The Bamberg Apocalyse is the only extant illustrated Ottonian Apocalypse manuscript. [3]
The page size is 12 1/8 × 9 1/16 in. (30.8 × 23 cm). There is a high level of illustration, with 72 half or full-page miniatures, as well as coats of arms and decorated initials in red & blue. The text is the Book of Revelation, part of the New Testament.
It was during this period that Blake was commissioned to create over one hundred paintings intended to illustrate books of the Bible. These paintings depict "The Great Red Dragon" in various scenes from the Book of Revelation. And behold a great red dragon, having seven heads and ten horns, and seven crowns upon his heads.
Pages in category "Paintings based on the Book of Revelation" The following 17 pages are in this category, out of 17 total. This list may not reflect recent changes. A.
Illustration from Morgan Beatus of scene from Revelation 14, which describes a vision of the Lamb, Jesus, and 144,000 people standing on Mount Zion: Illustrated by Magius, archipictor. [31] Circa 950–955: Ms. Cod. & II.5 *Escorial Beatus of San Millán *Beatus of the monastery of the Escorial [30]) El Escorial, Real Biblioteca de San Lorenzo
Lindsay Clancy, the Massachusetts mother accused of strangling her three young children to death before attempting to kill herself, is seeking an insanity defense, court records show.
[5] [34] Parthians were also particularly associated with white horses. [5] Some scholars specifically point to Vologases I, a Parthian shah who clashed with the Roman Empire and won one significant battle in AD 62. [5] [34] Revelation's historical context may also influence the depiction of the black horse and its rider, Famine.