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"Throughout the adventurous explorations between the late '60s and early '70s, the Moody Blues produced numerous hits that became staples of FM radio. ... "More than half a century later, the Moody Blues continue to tour around the world with no signs of slowing down, connecting to multiple generations of one of rock and roll's most loyal ...
Greatest Hits is a compilation album by the progressive rock band the Moody Blues, released in 1989.The band recorded new versions of "Isn't Life Strange" and "Question" with orchestration by the London Symphony Orchestra. [2]
Classic Rock critic Malcolm Dome rated it as the Moody Blues' greatest song, calling it "one of the best singles from the late 60s." [18] Ultimate Classic Rock critic Nick DeRiso rated it as the Moody Blues' 2nd greatest song. [19]
It's an album of tracks taken from the Moody Blues discography, played with orchestral arrangements with lead vocal duties being taken in turn by Hayward, Sadler, and Williamson. It was originally released with a cover title of Moody Blues – Unplugged – Greatest Hits in 1996 on Phantom Sound & Vision. [2]
The Moody Blues scored three top-ten singles on the Billboard Hot 100, with "Nights in White Satin" reaching number 2 in Billboard and number 1 in Cashbox. On the UK singles chart , the group also had three top-ten hits, with " Go Now " reaching number 1.
In January 1997, "Go Now" (without an exclamation mark) was released on The Very Best of the Moody Blues; [16] its release on this album was the first time it had been released on a Moody Blues compilation album. "Go Now" was also released on the subsequent Moody Blues two-disc compilation album Anthology. [17]
"Legend of a Mind" is one of the Moody Blues' longer songs, lasting about six and a half minutes, with a two-minute flute solo by Ray Thomas, in the middle.. During the 1980s, Thomas and keyboardist Patrick Moraz (who joined the band in 1978, replacing Mike Pinder) modified the live performance of the song by composing a flute and keyboard duet as part of the flute solo.
Cash Box said that this "Stunning teen-aimed ballad picks up rhythmic punch in a development that winds up a throbbing with top forty appeal." [6]Classic Rock History critic Brian Kachejian rated it as the Moody Blues' greatest song, saying that "Justin Hayward’s beautiful lyrics and melody combined with John Lodges’ guitar work and Mike Pinder’s Mellotron presented Moody Blues fans with ...