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Black and coloured chalks, white bodycolour, red, blue-grey, and brown wash, pen and ink, and brush and ink on pale pink prepared paper. 40.1 × 29.2 cm: The sitter is James Butler, 9th Earl of Ormond and 2nd Earl of Ossory. [18] Formerly identified as his cousin Thomas Boleyn, 1st Earl of Wiltshire (father of Anne Boleyn, the second wife of ...
Self-portrait, c. 1542–43.Coloured chalks and pen, heightened with gold, Uffizi Gallery, Florence. This list of paintings by Hans Holbein the Younger contains a selection of the artist's best-known paintings, as well as a few copies and derivatives of his art, some of which relate to lost works.
In the Toledo portrait Holbein provides visual puns and heraldic clues to identify the sitter: firstly, an angel, a heavenly being depicted with birds' wings. The angel in the sitter's pendant jewel represents the arms of Sir John Seymour (a pair of golden wings): Gules, a pair of "angels' wynges" conjoined in lure Or .
Hans Holbein the Younger (UK: / ˈ h ɒ l b aɪ n / HOL-byne, [2] US: / ˈ h oʊ l b aɪ n, ˈ h ɔː l-/ HOHL-byne, HAWL-; [3] [4] [5] German: Hans Holbein der Jüngere; c. 1497 [6] – between 7 October and 29 November 1543) was a German-Swiss painter and printmaker who worked in a Northern Renaissance style, and is considered one of the greatest portraitists of the 16th century. [7]
Holbein painted three much-copied portraits of Erasmus in 1523, of which this is the largest and most elaborate. It is likely the one sent to William Warham , Archbishop of Canterbury, in England. Holbein later painted Warham after he travelled to England in 1526 in search of work, with a recommendation from Erasmus, who had once lived in ...
Hans Holbein the Elder's Basilica of St. Paul, with portraits of the artist and his sons. Holbein painted richly colored religious works. His later paintings show how he pioneered and led the transformation of German art from the (Late) International Gothic to the Renaissance style. In addition to the altar paintings that are his principal ...
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