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The rest of the myth follows as the one in Introduction to Mythology: Contemporary Approaches to Classical and World Myths. In The Quest for Kintu and the Search for Peace: Mythology and Morality in Nineteenth-Century Buganda, [2] a different narrative of the Ugandan creation story is accounted. In Sabadu's version of the myth, after Kintu ...
Another of his writings about mythology is the 2000 book Mythography: The Study of Myths and Rituals, [6] which the Oxford Companion to World Mythology describes as "the most comprehensive and definitive study of the primary intellectual currents in the study of myths". [7]
To an extent, all theories about mythology follow a comparative approach—as scholar of religion Robert Segal notes, "by definition, all theorists seek similarities among myths". [3] However, scholars of mythology can be roughly divided into particularists, who emphasize the differences between myths, and comparativists, who emphasize the ...
The genesis of modern understanding of Greek mythology is regarded by some scholars as a double reaction at the end of the 18th century against "the traditional attitude of Christian animosity mixed with disdain, which had prevailed for centuries", in which the Christian reinterpretation of myth as a "lie" or fable had been retained. [1]
Campbell's best-known work is his book The Hero with a Thousand Faces (1949), in which he discusses his theory of the journey of the archetypal hero shared by world mythologies, termed the monomyth. Since the publication of The Hero with a Thousand Faces, Campbell's theories have been applied by a wide variety of modern writers and artists. His ...
In the 1950s, Barthes published a series of essays examining modern myths and the process of their creation in his book Mythologies, which stood as an early work in the emerging post-structuralist approach to mythology, which recognised myths' existence in the modern world and in popular culture. [77]
Rationalizing methods of interpretation that treat some myths as traditional accounts based upon historical events are a continuous feature of some modern readings of mythology. The twentieth century poet and mythographer Robert Graves offered many such "euhemerist" interpretations in his telling of The White Goddess (1948) and The Greek Myths ...
The form and function of mythology in the modern world is the main topic of this chapter and to illustrate his ideas, Campbell recounts aspects of his own earlier life. Without specifically stating it, the assumption is made that the modern world under consideration is that of Campbell's world—the Christian-based, urbanized culture of North ...