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Tone is the use of pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflect words. [1] All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously ...
Authors create tone through the use of various other literary elements, such as diction or word choice; syntax, the grammatical arrangement of words in a text for effect; imagery, or vivid appeals to the senses; details, facts that are included or omitted; and figurative language, the comparison of seemingly unrelated things for sub-textual ...
This is an accepted version of this page This is the latest accepted revision, reviewed on 2 December 2024. This is a list of onomatopoeias, i.e. words that imitate, resemble, or suggest the source of the sound that they describe. For more information, see the linked articles. Human vocal sounds Achoo, Atishoo, the sound of a sneeze Ahem, a sound made to clear the throat or to draw attention ...
For example, in most Norwegian dialects, the word bønder (farmers) is pronounced with tone 1, while tone 2 is used when pronouncing bønner (beans or prayers). Differences in spelling occasionally let readers distinguish written words, but most minimal pairs are written alike.
The easiest stylistic device to identify is a simile, signaled by the use of the words "like" or "as". A simile is a comparison used to attract the reader's attention and describe something in descriptive terms. Example: "From up here on the fourteenth floor, my brother Charley looks like an insect scurrying among other insects." (from "Sweet ...
Each repetition of "rise" is a semitone higher than the last, making this an especially overt example of word-painting. [7] "Hallelujah" by Leonard Cohen includes another example of word painting. In the line "It goes like this, the fourth, the fifth, the minor fall and the major lift, the baffled king composing hallelujah," the lyrics signify ...
Tone sandhi occurs to some extent in nearly all tonal languages, manifesting itself in different ways. [1] Tonal languages, characterized by their use of pitch to affect meaning, appear all over the world, especially in the Niger-Congo language family of Africa, and the Sino-Tibetan language family of East Asia, [2] as well as other East Asian languages such as Kra-Dai, and Papuan languages.
For example, in This is fun, this is is at pitch 2, and fun starts at level 3 and glides down to level 1. But if the last prominent syllable is not the last syllable of the utterance, the pitch fall-off is a step. For example, in That can be frustrating, That can be has pitch 2, frus-has level 3, and both syllables of -trating have pitch 1. [22]