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Socìetas Raffaello Sanzio was founded in 1981 in the Italian city of Cesena by Claudia Castellucci (b. 1958), her brother Romeo Castellucci (b. 1960) and Chiara Guidi (b. 1960), together with Barbara Bertozzi, Letizia Biondi, Raffaele Wassen [Tamburini] and the production director Gabriele Gosti.
Renaissance Rome: the young painter Raffaello Sanzio meets Margherita, a girl of the people, makes her his model for the painting "La fornarina", becomes her lover and will live with her. The girl will also inspire some Madonnas, but this relationship arouses the jealousies of a beautiful aristocrat who secretly orders the kidnapping of the girl.
La velata, or La donna velata ("The woman with the veil"), is a well known portrait by the Italian Renaissance painter Raffaello Sanzio, more commonly known as Raphael.The subject of the painting appears in another portrait, La Fornarina, and is traditionally identified as the fornarina (bakeress) Margherita Luti, Raphael's Roman mistress.
He assisted this master in engraving the famous pictures of Raphael in the Vatican City, and the print which represents the miracle of Bolsena is inscribed with his name. He married Volpato's daughter, Domenica, in 1782, [ 1 ] and, being invited to Florence to engrave the masterpieces of the Florentine Gallery , he moved there with his wife in ...
English: The School of Athens by Raffaello Sanzio da Urbino. Raphael died on April 6, 1520. Raphael died on April 6, 1520. Español : La escuela de Atenas (1511) del artista renacentista italiano Rafael Sanzio .
La donna velata (c. 1516); the pearl (Latin: margarita) adorning her hair may allude to the name of Raphael's mistress and model; her stray curl exemplifies the "studied carelessness" or sprezzatura celebrated in The Book of the Courtier by his friend Baldassare Castiglione; height 82 centimetres (32 in), width 60.5 centimetres (23.8 in); at the Palazzo Pitti in Florence [1] [2] [3]
All the emotion of the painting is densely crammed into the foreground and the background is similar to that of a stage set with distant groups of people and crosses. The man on the left in the foreground is similar to a figure in Raphael's painting The Judgement of Solomon in the Raphael Rooms in the Vatican Palace, except reversed.
The Life of Raffaello Sanzio da Urbino. London: Printed for J. Murray by J. Moyes. p. 212. (in German) Waagen, Gustave Friedrich (1864). Die Gemaldesammlung in der Kaiserlichen Ermitage zu St. Petersburg: nebst Bemerkungen über andere dortige Kunstsammlungen. München: Friedrich Bruckmann's Verlag. p. 50.