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Robert Bushnell Ryan (November 11, 1909 – July 11, 1973) was an American actor and activist. Known for his portrayals of hardened cops and ruthless villains, Ryan ...
Clash by Night is a 1952 American film noir drama directed by Fritz Lang and starring Barbara Stanwyck, Paul Douglas, Robert Ryan, Marilyn Monroe and Keith Andes. The film is based on the 1941 play by Clifford Odets, adapted for the screen by writer Alfred Hayes. It is the first major film to credit Monroe before the title, albeit with fourth ...
Odds Against Tomorrow is a 1959 American film noir produced and directed by Robert Wise and starring Harry Belafonte, Robert Ryan and Ed Begley.Belafonte selected Abraham Polonsky to write the script, which is based on a novel of the same name by William P. McGivern.
Berlin Express is a 1948 American drama film starring Robert Ryan, Merle Oberon and Paul Lukas and directed by Jacques Tourneur.. Thrown together by chance, a group of people search a city for a kidnapped peace activist.
The Naked Spur is a 1953 American Western film directed by Anthony Mann and starring James Stewart, Janet Leigh, Robert Ryan, Ralph Meeker, and Millard Mitchell.Written by Sam Rolfe and Harold Jack Bloom, the film is about a bounty hunter who tries to bring a murderer to justice, and is forced to accept the help of two strangers who are less than trustworthy.
The Woman on the Beach is a 1947 American film noir [2] directed by Jean Renoir and starring Joan Bennett, Robert Ryan, and Charles Bickford. It was released by RKO Radio Pictures. The film is a love triangle drama about Scott, a conflicted U.S. Coast Guard officer (Ryan), and his pursuit of Peggy, a married woman (Bennett). Peggy is married to ...
Delaney portrays Robert Ryan, the founder of Ascend Communications who played a crucial role in the early days of the internet. The film has already garnered critical acclaim, recently winning the ...
The Set-Up is a 1949 American film noir boxing drama directed by Robert Wise and starring Robert Ryan [1] and Audrey Totter. [2] [3] The screenplay was adapted by Art Cohn from a 1928 narrative poem of the same name by Joseph Moncure March.