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It has been covered many times and is a standard on the repertoire of many artists performing Filipino romantic and popular music. [14] [15] The song's canonical status as a classic Filipino love song was again confirmed by its inclusion on the 2004 hit compilation album Great Filipino Love Songs. [16] [17]
Davey is one of the finalists in the Philippines' biggest songwriting competition, the Philippine Pop Music Festival (Philpop 2014) with his song "NGSB" (No Girlfriend Since Break) interpreted by Luigi D'avola. Later that year, he released The Wedding Song, which was famously known for using the classic wedding march theme on its chorus.
Dr. Francisco Santiago, the "Father of Filipino Musical Nationalism", declared in 1931 that the kundiman "is the love song par excellence of the Filipinos, the plaintive song which goes deepest into their hearts, song which brings them untold emotions." [5]
Jay R Sings OPM Love Classics is the fifth studio album and third cover album by Filipino singer Jay R, released on February 5, 2010 by Universal Records. The album was produced by Ito Rapadas, who was also behind the production of Soul in Love .
The band wrote their songs in Taglish (code-switching between Tagalog and English) and street jargon that was popular in urban areas during the 1970s. For example, in the song "T.L. Ako Sa'yo", Cinderella used the word "dehins", formed from hindi ("no"). It is Tagalog street jargon which reverses the word, thereby making it sound like it is ...
1. “Cheek to Cheek" By Fred Astaire (1935) While we adore Lady Gaga and Tony Bennett's rendition (or even Ella Fitzgerald and Louis Armstrong's), we can't stop playing the original hit.
In 2005, Nina temporarily broke away from the urban-influenced sound to record covers of classic love songs. She came out with her first live album, Nina Live! . [ 30 ] The album is composed of classic love songs from the 1970s to the 1990s, which she recorded live at the PHI Resto and Bar in Metro Manila on January 30, 2005.
The harana first gained popularity in the early part of the Spanish Philippines period. Its influence comes from folk Music of Spain and the mariachi sounds of Mexico.It is a traditional form of courtship music in which a man woos a woman by singing underneath her window at night.