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The song still holds the record for the longest song-title ever to hit the UK chart. [3] [4] As hinted by the title, the song follows a man happy to be with his romantic partner: "And I end up crying, but listen/ I can be a millionaire/ Honey when you're standing there/ You're so exciting/ You can make me dance."
The single was released in the UK in 1973 on the Warner Brothers label with the Motown song "I Wish It Would Rain" as the B-side. It made number 8 in the UK chart in early January 1974, staying on the chart for 11 weeks.
A 12" single was released in 1978, with "Dance (Disco Heat)" as the A-side and "You Make Me Feel (Mighty Real)" as the B-side, and these two extended dance mixes proved to be very popular in dance clubs at the time. The two songs held down the top spot on the Billboard Dance/Disco chart for six weeks in August and September 1978. [8]
The song was later recorded by American country music artist Vern Gosdin and released in March 1984 as the lead single from his album There is a Season. The song was Gosdin's eighteenth country hit and the first of three number ones on the country chart. The single spent one week at number one and a total of fourteen weeks on the country chart. [1]
"Long Tall Glasses (I Can Dance)" is a 1974 song by Leo Sayer, co-written with David Courtney. It was released in the United Kingdom in late 1974, becoming Sayer's third hit record on both the British and Irish singles charts and reaching number four in both nations. [2]
The song interpolates Nancy Sinatra's "These Boots Are Made for Walkin'" (1966) and The Beach Boys' "Good Vibrations" (1966). Nancy Sinatra commented on the interpolation following the song's release, writing: "To have a little piece of one of my records in a Beyoncé song is very meaningful to me because I love her.
WASHINGTON (Reuters) -China-based DJI and Autel Robotics could be banned from selling new drones in the United States market under an annual military bill set to be voted on later this week by the ...
Nick Levin of Digital Spy gave the song a positive review stating: . This breakthrough smash is indeed an almighty racket. But it is the very best kind of almighty racket, a swaggering synthesis of beats, power chords, stadium keyboard hooks, crowd noise and vocals from the lungularly-blessed Alana that sounds like the sort of thing David Haye might hear in his head as he struts into the ring.