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This is a list of translators of one or more works of William Shakespeare into respective languages. Translator Target language A. de Herz ... Japanese: Tsuneari ...
Gairaigo are Japanese words originating from, or based on, foreign-language, generally Western, terms.These include wasei-eigo (Japanese pseudo-anglicisms).Many of these loanwords derive from Portuguese, due to Portugal's early role in Japanese-Western interaction; Dutch, due to the Netherlands' relationship with Japan amidst the isolationist policy of sakoku during the Edo period; and from ...
This is a list of translations of works by William Shakespeare. Each table is arranged alphabetically by the specific work, then by the language of the translation. Translations are then sub-arranged by date of publication (earliest-latest). Where possible, the date of publication given is the date of the first edition by that translator.
He also studied English literature at University of Tokyo. [4] Although Kinoshita and Fukuda discussed literature, drama, society and politics, they never agreed with each other's writing, and had very different ideas of how to translate Shakespeare into Japanese. [4] They differed in their political stances. [4]
Samuil Marshak – translator of Shakespeare's sonnets, among his other works; Aleksey Mikhalyov – translator of John Steinbeck's East of Eden and many other authors, as well as numerous films and cartoons; Midori Miura – translator of Non-chan kumo ni noru by Momoko Ishii; Vladimir Nabokov – translator of Alice in Wonderland and Lolita
Don Philippi – translator of Japanese and Ainu; translated the Kojiki; also a noted technical translator; Alexander O. Smith – professional translator who worked on translations of different media, but is most famous for the English localizations of video games like Final Fantasy X, Ace Attorney, and Vagrant Story; Lucien Stryk and ...
The Comedy of Errors adapted and directed by Sean Graney in 2010 updated Shakespeare's text to modern language, with occasional Shakespearean text, for The Court Theatre. The play appears to be more of a "translation" into modern-esque language, than a reimagination. [ 16 ]
For instance, Japanese has fewer words for calling someone a "fool" than English. Jack Seward recounts asking his language teacher "to prepare a list of the most stunning and forcible insults, pejoratives, and curses in Japanese", but was surprised that the "short, unimaginative, and seeming ineffectual" list had only two words: baka "fool" and ...