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Tracy Lynn Curry (born June 10, 1968), better known by his stage name the D.O.C., is an American rapper, songwriter, and record producer from Dallas, Texas.Along with his solo career, he was a member of the Southern hip hop group Fila Fresh Crew, and later co-wrote for and collaborated with the gangsta rap group N.W.A and Eazy-E.
Coltrane changes in C: I–V/ ♭ VI ♭ VI–V/III III–V I. 6: Major Eight-bar blues: I–V–IV–IV–I–V–I–V: 3: Major Folia: i–V–i– ♭ VII– ♭ III– ♭ VII–i–V–i–V–i– ♭ VII– ♭ III– ♭ VII–i–V–i: 4: Minor Irregular resolution (Type I: Two common tones, two note moves by half step motion) V7 ...
High C – E-A-d-g-c' Standard tuning with the B tuned a half step higher to C to emulate a six-string bass guitar, minus the low B. This is an all fourths tuning. Celloblaster or Guitello – C-G-d-a-e' An all fifths tuning as used on cello or mandolin, extended to five strings.
This chord progression instructs the performer to play, in sequence, a C major triad, an A minor chord, a D minor chord, and a G dominant seventh chord. In a jazz context, players have the freedom to add sevenths, ninths, and higher extensions to the chord. In some pop, rock and folk genres, triads are generally performed unless specified in ...
I–V–vi–IV progression in C Play ⓘ vi–IV–I–V progression in C Play ⓘ The I–V–vi–IV progression is a common chord progression popular across several music genres. It uses the I, V, vi, and IV chords of the diatonic scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include:
The added-sixth chord (notated "6") is rarely inverted since it shares its notes with a seventh chord a minor third down (e.g. C 6 has the same notes as an Am 7), although a counterexample is The 5th Dimension's recorded version of "Stoned Soul Picnic" (on 5). [7]
In Roman numeral analysis, the supertonic chord is typically symbolized by the Roman numeral "ii" in a major key, indicating that the chord is a minor chord (in C: D–F–A). In a minor key, it is indicated by "ii o " if it is built on the a natural minor scale , indicating that the chord is a diminished chord (in C: D–F–A ♭ ).
The chord progression is a standard ii 7 –V 7 –I progression in D major and then in C major. Assume that the time signature is 4 4 and that each ii and V chord gets four beats and the I chord gets eight beats.