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Traditionally, the advantage of dye-sublimation printing has been the fact that it is a continuous-tone technology, where each dot can be any color. In contrast, inkjet printers can vary the location and size of ink droplets, a process called dithering, but each drop of ink is limited to the colors of the inks installed. Consequently, a dye ...
Color proof is made with inkjet printers or thermal sublimation printers in combination with powerful color-management systems. Proofing is usually performed in full-size format, but in some cases small-page format is also acceptable. Color proof serves as a guideline for a printing press operator, and usually stands for a contract proof.
In printing, registration black is a black color that includes 100% of each of the process colors used. Typically these are cyan, magenta, yellow and black , [4] but if different colors are used, registration black marks are made with all of the colorants (inks). [4] Registration black is used for printing crop marks and registration marks ...
At each dot position, the simplest type of color printer can either print no dot, or print a dot consisting of a fixed volume of ink in each of four color channels (typically CMYK with cyan, magenta, yellow and black ink) or 2 4 = 16 colours on laser, wax and most inkjet printers, of which only 14 or 15 (or as few as 8 or 9) may be actually ...
Advantages of dye-sublimation over other methods of textile printing: [2] Pictures do not peel off fabric, unlike typical screen printing. Dye does not mount on fabric. The intensity of colour is often unmatched due to the direct permeation of dye. No need to half-print screens or cut fabric.
Manufacturers of printers or devices that use colour ink jet technology are meant to abide by this standard when testing for, and labeling the estimated yields of their products. The testing focused on sampling yields generated from typical business consumer printing applications.
A non-standard F4 paper size is common in Southeast Asia. It is a transitional size with the shorter side of ISO A4 (210 mm, 8 + 1 ⁄ 4 inch) and the longer side of British Foolscap (13-inch (330 mm). ISO A4 is exactly 90% the height of F4. This size is sometimes also known as (metric) 'foolscap' or 'folio'.
With the development of a dye-sublimation printer in the early 1990s, it became possible to print with low energy sublimation inks and high energy disperse direct inks directly onto textile media, as opposed to print dye-sublimation inks on a transfer paper and, in a separate process using a heat press, transfer it to the fabric.