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"Tears in Heaven" is a song by English guitarist, singer, and songwriter Eric Clapton and Will Jennings, written about the death of Clapton's four-year-old son, Conor. It appeared on the 1991 Rush film soundtrack .
Tears in Heaven (in Chinese:海上繁花; Hai Shang Bang Hua, also known as "My Dear Chief") in Spain, Tears in Heaven, in Mexico, Tears in Paradise is a Chinese television drama series based on the novel written by Fei Wo Si Cun and directed by Hua Qing.
Models have appeared in music videos since no later than the 1970s; preceding the beginning of the MTV era, in 1981. A pre-MTV example is Jerry Hall's performance in the music video for Bryan Ferry's cover version of "Let's Stick Together", in 1976.
Will Jennings, Co-writer of ‘My Heart Will Go On,’ ‘Tears in Heaven’ and Other Classics, Dies at 80. Chris Willman. September 7, 2024 at 8:27 AM.
The intro chord progression is played four times; it consists of an E 7 sus 4 chord, followed by an E major chord, which is repeated again for the first section. The same progression is also used for the link section. The first verse consists of the following chords, played in that order. [4]
Songs from the Big Chair is the second studio album by the English band Tears for Fears, released on 25 February 1985 by Mercury Records, distributed by Phonogram Inc. A follow-up to the band's successful debut album, The Hurting (1983), Songs from the Big Chair was a significant departure from that album's dark, introspective synth-pop, featuring a more mainstream, guitar-based pop rock sound ...
The song appeared on the self-titled second album by Blood, Sweat & Tears. It was the third single from the album, peaking at #2 on the Hot 100; the album's previous two singles had also stalled at #2 on the same chart. The three singles each charted thirteen weeks on the Hot 100.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...