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Kuntowijoyo was born in Bantul, Yogyakarta, on 18 September 1943. His father was a dhalang and macapat reader, and his great-grandfather was a mushaf writer. When he attended elementary school at Ibtidaiyah Madrasah, he practiced declamation, storytelling, and reading the Koran.
The drawing of Malaysian batik. The origin of batik production in Malaysia it is known trade relations between the Melayu Kingdom in Jambi and Javanese coastal cities have thrived since the 13th century, the northern coastal batik producing areas of Java (Cirebon, Lasem, Tuban, and Madura) has influenced Jambi batik.
Indonesia Raya is the national anthem of the Republic of Indonesia. The song was introduced by its composer , Wage Rudolf Supratman , on 28 October 1928 during the Second Indonesian Youth Congress in Batavia . [ 7 ]
Flag of Malaysia – Jalur Gemilang (Stripes of Glory). The national flag of Malaysia, also known as the Stripes of Glory (Jalur Gemilang), [8] is composed of a field of 14 alternating red and white stripes along the fly and a blue canton bearing a crescent and a 14-point star known as the Bintang Persekutuan (Federal Star).
Parang Rusak.This motif is a batik motif created by Penembahan Senapati while meditating on the south coast (Pantai selatan).This batik motif is inspired by the waves that never tire of hitting the beach reefs.
"Perajurit Tanah Air" ("Soldiers of the Motherland"), also known by its incipit "Inilah Barisan Kita" ("Here We Are Standing United"), is a Malaysian patriotic song composed by Indonesian musician Saiful Bahri, who composed various state songs of Malaysia. The song extols soldiers' readiness to fight and die.
"Gugur Bunga di Taman Bakti" (The Fallen Flower in the Garden of Devotion), better known as "Gugur Bunga", is an Indonesian patriotic song written by Ismail Marzuki in 1945. Written to honor the Indonesian soldiers killed during the Indonesian National Revolution , it tells of the death of a soldier, and the singer's feelings.
Illustration from Floral Poetry and the Language of Flowers (1877). According to Jayne Alcock, grounds and gardens supervisor at the Walled Gardens of Cannington, the renewed Victorian era interest in the language of flowers finds its roots in Ottoman Turkey, specifically the court in Constantinople [1] and an obsession it held with tulips during the first half of the 18th century.