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Desengaño y amor (1960) El matrimonio de Myriam (1960) El padrino de mi hermano (1960) El papá de Sallie (1960) El pasado vuelve aquí (1960) El profesor de felicidad (1960) El secreto de Mildred (1960) Ella y sus recuerdos (1960) Has de ser tú (1960) La doncella de mamá (1960) La historia de mi vida (1960) Los ambiciosos (1960) Milady y ...
Additionally, the second album of the renowned Chilean series 31 Minutos is titled 31 canciones de amor y una canción de Guaripolo ("31 Love Songs and a Guaripolo Song"), making reference to the title of Neruda's book. Twenty Love Poems and a Song of Despair remains Neruda's most well-known work and has sold millions of copies worldwide. [3]
História de Amor is a Brazilian telenovela produced by TV Globo and aired from July 3, 1995 to March 2, 1996 in 209 chapters. It was the 48th "novela das seis" to be aired on the timeslot. It was the 48th "novela das seis" to be aired on the timeslot.
Of Love and Other Demons (Spanish: Del amor y otros demonios) is a novel by Colombian writer Gabriel García Márquez published in 1994. Set in 18th-century Colombia, the plot follows a 12-year-old girl, bitten by a rabid dog; she is believed to be possessed by demons, and is sent to a convent to be exorcised; the priest who is meant to exorcise her falls in love with her.
Cien sonetos de amor ("100 Love Sonnets") is a collection of sonnets written by the Chilean poet and Nobel Laureate Pablo Neruda originally published in Argentina in 1959. Dedicated to Matilde Urrutia , later his third wife, it is divided into the four stages of the day: morning, afternoon, evening, and night.
Amor Bravío (International title: Valiant Love, [1] [2]) is a Mexican telenovela produced by Carlos Moreno Laguillo for Televisa that aired from March 5, 2012 to October 21, 2012.
Llena de amor (English: Filled With Love) [3] is a Mexican Spanish-language telenovela, produced by Angelli Nesma Medina for Televisa. [4] It is a remake of the Venezuelan telenovela Mi Gorda Bella , [ 5 ] which itself was inspired by the Colombian telenovela Yo soy Betty, la fea .
Los Caprichos lack an organized and coherent structure, but they have important thematic nuclei. The most prevalent themes are: the superstition around witches, which predominates after Capricho No. 43 and that serves to express ideas about evil in a tragicomic way; the life and behavior of friars; erotic satire relating to prostitution and the role of the matchmaker; and to a lesser extent ...