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"Animal style" deer, (8-7th century BC) Arzhan kurgan, Tuva. Ordos culture, belt buckle, 3rd–1st century BC. Animal style art is an approach to decoration found from Ordos culture to Northern Europe in the early Iron Age, and the barbarian art of the Migration Period, characterized by its emphasis on animal motifs.
Such features include particular male or female characteristics that have aesthetic appeal to the opposite sex. Sexual selection tends to give rise to competition between individuals of the same gender. Darwin [6] regarded such competition as having molded numerous aspects of animal behavior. Darwin particularly emphasized the striking ...
Nature is a living system which includes animals, plants, and Eco-systems. In contrast, an art object has no regeneration, evolutionary history, or metabolism. [ 6 ] An individual may be in the forest and perceive it as beautiful because of the plethora of colors such as red, green, and yellow.
Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgments of artistic taste; [2] thus, the function of aesthetics is the "critical reflection on art, culture and nature". [3] [4] Aesthetics studies natural and artificial sources of experiences and how people form a judgment about those sources of experience.
This is a list of various species of marine invertebrates, animals without a backbone, that are commonly found in aquariums kept by hobby aquarists. Some species are intentionally collected for their desirable aesthetic characteristics. Others are kept to serve a functional role such as consuming algae in the aquarium.
It was the aesthetic complexity of insects that led Nabokov to reject natural selection. [7] [8] The naturalist Ian MacRae writes of butterflies: ". . . the animal is at once awkward, flimsy, strange, bouncy in flight, yet beautiful and immensely sympathetic; it is painfully transient, albeit capable of extreme migrations and transformations.
As aesthetic movement decor was similar to the corresponding writing style in that it was about sensuality and nature, nature themes often appear on the furniture. A typical aesthetic feature is the gilded carved flower, or the stylized peacock feather. Colored paintings of birds or flowers are often seen.
The Evolution of Beauty: How Darwin's Forgotten Theory of Mate Choice Shapes the Animal World—and Us is a 2017 book by the ornithologist and evolutionary biologist Richard O. Prum about the power of aesthetic mate choice, arguing it to be an important independent agent in evolution.