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In October 1993, rap journalist Dream Hampton called the song "the best on the best album of a pretty slow year." [25] In 1999, rap magazine Ego Trip named "16 Memorable Misogynist Rap Music Moments" and put "Bitches Ain't Shit" at #2. [26] In the 2006 film Hip-Hop: Beyond Beats and Rhymes, Jadakiss said about the song: "This shit is ...
Chopped and screwed (also called screwed and chopped or slowed and throwed) is a music genre and technique of remixing music that involves slowing down the tempo and DJing. It was developed in the Houston , Texas, hip hop scene in the early 1990s by DJ Screw .
Everett True from Melody Maker wrote, "This is more of that gorgeously smooth East Side/West Side funk that surely even the most staid of you are spending all your waking hours with by now, with sequenced vocals, gentle scratchin', a mutha of a rhythm track and a vocal as drop-dead-and-f***-me-as-you-fall cool as you'd ever want."
George Edward Clinton [6] (born July 22, 1941 [7]) is an American singer, songwriter, record producer and bandleader. [8] His Parliament-Funkadelic collective (which primarily recorded under the distinct band names Parliament and Funkadelic) developed an influential and eclectic form of funk music during the 1970s that drew on Afrofuturism, outlandish fashion, psychedelia, and surreal humor. [9]
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[9] [10] Even though in white culture, the term funk can have negative connotations of odor or being in a bad mood (in a funk), in African communities, the term funk, while still linked to body odor, had the positive sense that a musician's hard-working, honest effort led to sweat, and from their "physical exertion" came an "exquisite" and ...
"Funk #49" is 3:54 in length, though it only has two verses. Much of the song is instrumental, drawing from Joe Walsh's guitar, Dale Peters' bass work, and Jim Fox's drumming. The lyrics focus on a wild girlfriend the singer cannot tame. Most of the song is a vehicle for Walsh's guitar performance.
"Slow Down Baby" is an uptempo pop and R&B song that blends modern and "old school" R&B. [6] [7] It has elements of funk, hip hop and soul. [8] Nick Levine of Digital Spy called it "hot'n'horny retropop", [ 9 ] and JournalNews critic Sonia Murray observed that it "savvily" combines hip hop and early soul. [ 8 ] "