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Macbeth was a favourite of the seventeenth-century diarist Samuel Pepys, who saw the play on 5 November 1664 ("admirably acted"), 28 December 1666 ("most excellently acted"), ten days later on 7 January 1667 ("though I saw it lately, yet [it] appears a most excellent play in all respects"), on 19 April 1667 ("one of the best plays for a stage ...
What follows is an overview of the main characters in William Shakespeare's Hamlet, followed by a list and summary of the minor characters from the play. [1] Three different early versions of the play survive: known as the First Quarto ("Q1"), Second Quarto ("Q2"), and First Folio ("F1"), each has lines—and even scenes—missing in the others, and some character names vary.
Throne of Blood (Japanese: 蜘蛛巣城, Hepburn: Kumonosu-jō, lit. ' The Spider Web Castle ') is a 1957 Japanese jidaigeki film co-written, produced, edited, and directed by Akira Kurosawa, with special effects by Eiji Tsuburaya.
Under their referencing system, 3.1.55 means act 3, scene 1, line 55. References to the First Quarto and First Folio are marked Hamlet Q1 and Hamlet F1, respectively, and are taken from the Arden Shakespeare Hamlet: the texts of 1603 and 1623. [54] Their referencing system for Q1 has no act breaks, so 7.115 means scene 7, line 115.
In the discussion of Macbeth, it is Macbeth's unity of character that is significant. [302] In many chapters, he emphasises the dominant mood, a unifying theme, the "character" of the play as a whole. [303] In, again, Macbeth, the entire play "is done upon a stronger and more systematic principle of contrast than any other of Shakespear's plays."
In Orson Welles' 1948 film adaptation of Macbeth, the role of King Duncan is reduced. 1.2 is cut entirely as well as generous portions of 1.4. King Duncan is seen briefly in 1.6 as he enters Macbeth's castle amid considerable pomp. The top of 1.4 with its description of Cawdor's execution has been transplanted to this scene.
In Act 1, Macbeth and Banquo meet the Three Witches who foretell that Macbeth will be king and that Banquo "shalt get kings, though thou be none". [6] Fleance also briefly appears in the first scene of Act 2, when his father tells him of "cursed thoughts that nature / Gives way to in repose!".
"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.