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'The Legend of Miss Baltimore Crabs' gives Velma Von Tussle additional motivation, background and a reason to be bad while still advancing the plot. Since her character is something of a composite from the film (she combines the characters played by Debbie Harry, Mink Stole, and Sonny Bono), she becomes much richer and funnier."
hello @spotify the lyrics you have for “the legend of miss baltimore crabs” from hairspray live are a MESS. embarrassingly incorrect and riddled with typos. please fix immediately. — Tom ...
"Mrs. Von Tussle Says" (Demo for a potential replacement for "(The Legend of) Miss Baltimore Crabs") Pattie Darcy, Marc Shaiman: 2:24: 7. "Save Your Applause 'Til the End" (Demo for a potential replacement for "(The Legend of) Miss Baltimore Crabs") Christine Ebersole: 2:55: 8. "Turn Back the Hands of Time" (Demo for an end-credits song ...
Hairspray is an American musical with music by Marc Shaiman and lyrics by Marc Shaiman and Scott Wittman, ... (The Legend of) Miss Baltimore Crabs". [67] ...
Good Morning Baltimore" – Tracy (Nikki Blonsky) "The Nicest Kids in Town" – Corny and Council Members (James Marsden) "It Takes Two" – Link (Zac Efron) "(The Legend of) Miss Baltimore Crabs" – Velma and Council Members (Michelle Pfeiffer) "I Can Hear the Bells" – Tracy (Nikki Blonsky) "Ladies' Choice" – Link (Zac Efron)
I Know Where I've Been" is a gospel-style, soul song [1] from the 2002 musical Hairspray, performed by "Motormouth" Maybelle as she leads a protest for racial equality through the streets of Baltimore.
The phrase "Run And Tell That" is traced back to African American religious and secular songs. Literally, it means: "to exhort someone to go quickly and give information or news to another person or persons", however in this context it is more like "declaring to your adversary you will succeed in the near future, and that he or she should let the world world know that fact". [1]
It is sung by Tracy, Link, Penny, Seaweed, Edna, Motor Mouth, Velma, and Amber with Corny and Wilbur as backing singers. Although the lyrics touch on sizeism and racism, the song also references broader themes of change and progression. The song pays tribute to the Phil Spector-produced 1966 Ike & Tina Turner hit "River Deep – Mountain High".