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A fuzz-wah pedal is an effects unit containing both a fuzzbox and wah-wah pedal in series, allowing the user to distort ("wah") and use "fuzz" sounds as aesthetic effects on electric guitar or bass. They were developed to combine the sounds of psychedelic bands of the late 1960s–'70s.
The Tone Bender MKII is a three transistor circuit [1] based on the MKI.5 version, but with an additional amplifier gain stage. Sola Sound produced the circuit for Vox (who sold their version as the "Vox Tone Bender Professional MKII"), [5] Marshall (who sold their version as the "Marshall Supa Fuzz"), [6] and Rotosound (who sold their version as the "RotoSound Fuzz Box". [7]
The DS-1 was the first ever distortion guitar effect pedal manufactured by Boss An auditory example of the distortion effect with the clean signal shown first.. Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone.
An effects unit is also called an effect box, effects device, effects processor or simply an effect. The abbreviation F/X or FX is sometimes used. A pedal-style unit may be called a stomp box, stompbox, effects pedal or pedal. Unprocessed audio coming into an effects unit is referred to as dry, while the processed audio output is referred to as ...
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The Fuzz Face is particularly similar to the Sola Sound unit known today as the "Mk1.5" Tone Bender. The main difference is that the Fuzz Face is biased slightly colder, making it more usable in warm environments. [clarification needed] The original instructions even described the Fuzz Face as a "Tone-Bending" unit. [3]
Gibson Maestro FZ-1 Fuzz-tone. The Maestro FZ-1 Fuzz-Tone was the first widely marketed fuzz distortion guitar and bass effect. Introduced in 1962, it achieved widespread popularity in 1965 after the Rolling Stones guitarist Keith Richards prominent use of the FZ-1 on the group's hit, "Satisfaction".
Octave effect boxes are a type of special effects unit which mix the input signal with a synthesized signal whose musical tone is an octave lower or higher than the original. The synthesised octave signal is derived from the original input signal by halving (octave-down) or doubling (octave-up) the frequency.