Search results
Results From The WOW.Com Content Network
By far the most familiar to most Westerners is the chau gong or bullseye gong. Large chau gongs, called tam-tams [7] have become part of the symphony orchestra. Sometimes a chau gong is referred to as a Chinese gong, but in fact, it is only one of many types of suspended gongs that are associated with China. A chau gong is made of copper-based ...
During the 2010 production, at least two of the 16 scenes depicted "persecution and murder of Falun Gong practitioners" in contemporary China, including the beating of a young mother to death, and the jailing of a Falun Gong protester. In addition to classical Han Chinese dance, Shen Yun also includes elements of Yi, Miao, Tibetan and Mongolian ...
The book was written by former The New York Times dance critic Joseph H. Mazo was published by William Morrow and Company in 1977. [1] The book details the history of modern dance, starting with Loie Fuller and ending with Twyla Tharp. The book's dust jacket says that "it makes American modern dance comprehensible, approachable, accessible ...
Gong-chime performance is characterized by such features as the use of an ensemble dominated by idiophones, metallophones, and knobbed gongs. It is a stratified polyphony, with lower-pitch instruments playing parts of lesser density and all parts are structured monotonically around time cycles This can be found in traditional Indonesian gamelan.
Olga Maynard (January 16, 1913 – December 26, 1994) [1] was a Brazilian-born American writer and educator on theater arts, author of articles and monographs on dance and dancers. Her published books are on ballet, modern dance, opera and the integration of performing arts into general education.
Fellow dance critic John Martin, one of Lloyd's few contemporaries, praised the book for its "scope and authority" while also highlighting a number of small factual errors. [5] Lloyd continued her work in the field of dance criticism after publishing The Borzoi Book of Modern Dance, writing for the Christian Science Monitor until her death in 1960.
A William Hogarth painting based on The Beggar's Opera (c. 1728), a key antecedent of musical theatre. Development of musical theatre refers to the historical development of theatrical performance combined with music that culminated in the integrated form of modern musical theatre that combines songs, spoken dialogue, acting and dance.
Martha Hill (December 1, 1900 – November 19, 1995) [1] was an American dance instructor with wide influence. She founded innovative programs at Bennington College and Connecticut College, and was the first Director of Dance at the Juilliard School, a position she held for almost 35 years.