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Anh Thơ (Ninh Giang, Hải Dương Province, 25 January 1921 – 14 March 2005), real name Vương Kiều Ân, was a Vietnamese poet [1] whose work focused on women, especially their role in the Viet Minh.
Nguyễn Thụy Anh was born in Hanoi.Her parents came from Hà Tĩnh, inside, her father has ever been in the navy.. About 1989 – 1991, she was the pupil at the Hanoiamsterdam High School.
Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include Lục bát, Song thất lục bát, and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines" (a type of quatrain), and "five ...
The poem's exact authorship, origin, and style of writing are still controversial. According to K.W. Taylor, the account of the poem comes from the 14th-century Buddhist scripture Thiền uyển tập anh and if the story of the poem is true, then the poem could not have been sung in the form it currently exists today.
The album included more songs that were requested from his fans including “Buồn Chi Em Ơi”, “Em Hãy Về Đi”, and a duet with Mai Thiên Vân, “Các Anh Về”. There was a lot of controversy when Quang Lê’s name was taken off of the Paris By Night 96 Nhạc Yêu Cầu 2 poster, much to the dismay of many of his fans.
Phạm Duy (5 October 1921 – 27 January 2013) was one of Vietnam's most prolific songwriters with a musical career that spanned more than seven decades through some of the most turbulent periods of Vietnamese history and with more than one thousand songs to his credit, [1] he is widely considered one of the three most salient and influential figures of modern Vietnamese music, along with ...
Some of her poems were collected and translated into English in John Balaban's Spring Essence (Copper Canyon Press, 2000, ISBN 1 55659 148 9). An important Vietnamese poet and her contemporary is Nguyễn Du , who similarly wrote poetry in demotic Vietnamese, and so helped to found a national literature.
The love poetry of Xuân Diệu, particularly those compiled in Thơ thơ (1938) and Gửi hương cho gió (Casting Fragrance to the Wind, 1945), is still cherished to this day, with Xuân Diệu being hailed as "the King of Love Poetry" (ông hoàng thơ tình), [50] in the same vein as the sobriquet that he had given to the eighteenth ...