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The Rabbit of Caerbannog, often referred to in popular culture as the Killer Rabbit, is a fictional character who first appeared in the 1975 comedy film Monty Python and the Holy Grail by the Monty Python comedy troupe, a parody of King Arthur's quest for the Holy Grail. [1]
The name Monty Python's Flying Circus appears in the opening animation for season four, but in the end credits, the show is listed as simply Monty Python. [70] Although Cleese left the show, he was credited as a writer for three of the six episodes, largely concentrated in the "Michael Ellis" episode, which had begun life as one of the many ...
Monty Python and the Holy Grail is a 1975 British comedy film based on the Arthurian legend, written and performed by the Monty Python comedy group (Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin) and directed by Gilliam and Jones in their feature directorial debuts.
Cutey Bunny (a.k.a. "QT Bunny" for short) is secretly Cpl. Kelly O'Hare, a special agent for the United States, based in Washington, D.C., and employed by an unspecified branch of the United States Armed Forces. Frederick Dickinson Rabbit (transformed human) Judecca: A man in hell transformed into a rabbit for his sins. Works as a bookkeeper.
Many of the early episodes of Monty Python's Flying Circus feature a sensible-looking announcer (played by John Cleese) dressed in a black suit and sitting behind a wooden desk, which in turn is in some ridiculous location such as behind the bars of a zoo cage or in mid-air being held aloft by small attached propellers. The announcer would turn ...
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Killer rabbit may refer to: . Rabbit of Caerbannog, a fictional beast from the film Monty Python and the Holy Grail; Jimmy Carter rabbit incident, a 1979 incident involving a swamp rabbit trying to board President Jimmy Carter's fishing boat
The sketch begins with a preamble by Eric Idle (impersonating the British film critic Philip Jenkinson), who praises American film director Sam Peckinpah's predilection for the "utterly truthful and very sexually arousing portrayal of violence [sniff] in its starkest form" in Major Dundee (1965), The Wild Bunch (1969) and Straw Dogs (1971).