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Although meeting the criteria for an epic, the poem defies simple genre classification by its use of varying themes and tones. Considered one of the most influential works of art in Western culture, particularly European, Metamorphoses has inspired such authors as Geoffrey Chaucer, William Shakespeare, Dante Alighieri and Giovanni Boccaccio.
Her poem Tissue appears in the 2017 AQA poetry anthology for GCSE English Literature. [10] Her poems Living Space and In Wales, wanting to be Italian also appear in the Eduqas WJEC poetry anthology for GCSE English Literature. [11] Dharker was a member of the judging panel for the 2008 Manchester Poetry Prize, with Gillian Clarke and Dame Carol ...
The poem is generally considered to meet the criteria for an epic; it is considerably long, relating over 250 narratives across fifteen books; [14] it is composed in dactylic hexameter, the meter of both the ancient Iliad and Odyssey, and the more contemporary epic Aeneid; and it treats the high literary subject of myth. [15]
Tissue culture is an important tool for the study of the biology of cells from multicellular organisms. It provides an in vitro model of the tissue in a well defined environment which can be easily manipulated and analysed. In animal tissue culture, cells may be grown as two-dimensional monolayers (conventional culture) or within fibrous ...
The Tissue-Culture King (1926 in Cornhill Magazine and in The Yale Review, reprinted 1927 in Amazing Stories and many times afterwards) [1] is a science fiction short story by biologist Julian Huxley. The story tells of a biologist captured by an African tribe.
Many of her poems feature war and terrorism. [3] [4] [20] She wrote from unusual points of view, such as a cat in the newly empty apartment of its dead owner. [4] Her reputation rests on a relatively small body of work, fewer than 350 poems. When asked why she had published so few poems, she said, "I have a trash can in my home". [3]
In this context Hernández presents another, and very unsentimentalized, version of rural life. The poem narrates an epidemic, the horrible, expiatory attempts at cure, and the fatal wrath upon those, including a young "Christian" boy, suspected of bringing the plague. Both Cruz and the cacique die of the disease. Shortly afterward, at Cruz's ...
And Still I Rise is Maya Angelou's third volume of poetry. She studied and began writing poetry at a young age. [1] After her rape at the age of eight, as recounted in her first autobiography, I Know Why the Caged Bird Sings (1969), she dealt with her trauma by memorizing and reciting great works of literature, including poetry, which helped bring her out of her self-imposed muteness.