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Excellent_collection_of_popular_songs_(6).pdf (312 × 529 pixels, file size: 239 KB, MIME type: application/pdf, 8 pages) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
After a dull beginning to the new decade with flops like Jeene Do (1990), Dushman (1990) and Indrajeet (1991), Burman delivered music in Priyadarshan's Gardish (1993), which proved to be a box office success with hit songs like "Hum Na Samjhe The", sung by S. P. Balasubrahmanyam and "Yeh Mera Dil To Pagal Hai", a duet by Balasubrahmanyam and ...
Upload file; Search. Search. Appearance. ... Download as PDF; Printable version; ... Pages in category "Songs with music by R. D. Burman"
The following is a select filmography of films for which Rahul Dev Burman (27 June 1939 – 4 January 1994), also known as R. D. Burman, composed the soundtracks. He was one of the most prolific Indian movie score/soundtrack composers of the Indian film industry :
"Bachna Ae Hasseeno" is an Indian film song originally composed by R.D. Burman and written by Majrooh Sultanpuri from the film Hum Kisise Kum Naheen. The song was one of the biggest hits of 1977. The song was one of the biggest hits of 1977.
In the early-1970s, Laxmikant-Pyarelal faced competition from R. D. Burman whose Electronic rock revolutionized the Hindi film music and he emerged as top favorite of the then superstar Rajesh Khanna and filmmakers, such as Shakti Samanta, Nasir Hussain, Anand Brothers, Ravikant Nagaich and Gulzar, among others and composed for majority of ...
R. D. Burman: The Man The Music is a 2011 Indian English language non-fiction book written by Anirudha Bhattacharjee and Balaji Vittal. The subject of the book is R. D. Burman . [ 1 ] It won the 2011 National Film Award for Best Book on Cinema .
The song had another version, recorded by Lata Mangeshkar after RD Burman's death. [4] This sad version was not well received by some critics. Noted film critic Raju Bharatan , who also wrote a biography of Lata Mangeshkar , remarked "we tuneful watchers agonized at the way Lata played such vocal havoc with Kuchh na kaho".