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Arabic Melody for cello and piano, Op. 4 No. 5; from Five Romances (songs) (1882–85) Elegy in D flat major for cello and piano (Une Pensee a F. Liszt), Op. 17 (1888) Two Pieces for cello and piano, Op. 20A (1888) (Melodie; Spanish Serenade) Chant du Ménestrel for cello and piano, Op. 71 (1900) Reinhold Glière. Ballade
Six Studies in English Folk Song is a piece of chamber music written by English composer Ralph Vaughan Williams in 1926. It is a collection of six English folk songs set for cello and piano. Each song follows the same format: presentation of the tune in the solo line, followed by a full iteration of the folk song in the piano with an ornamented ...
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Mini-music to Siegfried Palm, Op. 38 (1970) Sven Einar Englund. Suite (1986) Gottfried von Einem. Music, Op. 108 (1996) Iván Erőd. Hommage à Beethoven, Op. 24 (Rhapsodie für Violoncello solo über Themen der Sonate, Op. 102/1 von Ludwig van Beethoven) (1977) Rudolf George Escher. Sonata for solo Violoncello (1945–48) Pozzi Escot. Sonata ...
A cello sonata is piece written sonata form, often with the instrumentation of a cello taking solo role with piano accompaniment. [1] Some of the earliest cello sonatas were composed in the 18th century by Francesco Geminiani and Antonio Vivaldi, and since then other famous cello sonatas have grown to those by Johannes Brahms, Ludwig van Beethoven, Felix Mendelssohn, Fryderyk Chopin, and ...
Concertino "In dich hab' ich gehoffet, Herr" for cello and organ; Zsolt Gárdonyi. Variations on a Hungarian Chorale; Lothar Graap "Befiehl du deine Wege", Variations for cello and organ "Hinunter ist der Sonne Schein", Chorale suite for cello and organ; Percy Grainger. The Nightingale; Sofia Gubaidulina. In Croce; René Guillou. Adagio ...
Schumann turned to chamber music on the smaller scale; all the chamber music of this period was for piano and one or two other instruments. Schumann composed three duets, the first he ever completed, in 1849: the Five Pieces, the Adagio and Allegro for Horn and Piano and the Fantasiestücke for Clarinet, Op. 73.
The arrangement became so popular that Dvořák made a new arrangement for cello and orchestra on 28 October 1893. The arrangements were first published in the fall of 1894 by Fritz Simrock, who changed the German title given by Dvořák – Die Ruhe (The Silence), a literal translation from the Czech Klid – to Waldesruhe (Silent Woods).