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"Bring a Torch, Jeanette, Isabella" ("French: Un flambeau, Jeannette, Isabelle") is a Christmas carol which originated from the Provence region of France in the 17th century. The carol was first published in France, and was subsequently translated into English in the 18th century.
Church School Hymnal for Children, Grades 3 to 6 (1964) [290] Young Children Sing, Church School Hymnal for Ages 3–7 (1967) [291] Lutheran Book of Worship, Augsburg Publishing House (1978) [292] Lutheran Church of Australia. All Together series of spiritual song books; Lutheran Hymnal with Supplement (1987) Together in Song: Australian Hymn ...
In 1929, the music of the psalter was revised by the Church of Scotland to bring its harmonies into line with those in the revision of the hymnal. The psalter was usually printed at the front of the first two editions of the hymnal (1898, 1927), and throughout much of the 20th century there was a widespread tradition of beginning worship with a ...
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This article is based on interviews with Florence Kopleff, who was a member of the Robert Shaw Chorale throughout its existence and served as administrative assistant to Mr. Shaw; and on recollections of John W. Cooledge, a member of the Atlanta Symphony Orchestra Chorus and Chamber Chorus, and of the Robert Shaw Chamber Singers throughout the existence of that group.
The hymns are split up by subject, such as theme (Commitment/Action, Love and Compassion, Hope, Freedom, Justice, Stewardship of the Earth) time (Morning, Evening, The Seasons, Harvest, Solstice and Equinox), origin (Music of The Cultures of the World, Words from Sacred Traditions, The Jewish Spirit, The Christian Spirit), holiday (Kwanzaa, Pesach / Passover, Hanukkah, Advent, Christmas ...
From the same publisher, lyrics and audio of many of the hymns are freely available at BTP's Little Flock section. [4] Edwin O.P. Mutton compiled a History of the "Little Flock Hymn Book" and its Authors, containing biographical information on all authors 1856–1962, and a historical section covering details of revisions of the same time period.
In setting the four hymns to music, Vaughan Williams chose poems by Jeremy Taylor, Isaac Watts, Richard Crashaw, and Robert Bridges (a translation from the Greek). The cycle is sometimes called Four Hymns for Tenor and Strings and performed in an orchestrated version with a string orchestra replacing the piano part.