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King of Jazz: Paul Whiteman; King of the Jazz Guitar: Django Reinhardt; King of the Jukebox: Louis Jordan; King of Swing: Benny Goodman a.k.a. "the Patriarch of the Clarinet", "the Professor", "Swing's Senior Statesman" Klook-Mop or Klook: Kenny Clarke; Knife (The): Pepper Adams
"Honeysuckle Rose" is a 1929 song composed by Thomas "Fats" Waller with lyrics by Andy Razaf. [1] It was introduced in the 1929 Off-Broadway revue "Load of Coal" at Connie's Inn as a soft-shoe dance number. [2]
4 tresillo figure at 2:20. "Footprints" is not, however, a Latin jazz tune: African rhythmic structures are accessed directly by Ron Carter (bass) and Tony Williams (drums) via the rhythmic sensibilities of swing. Throughout the piece, the four beats, whether sounded or not, are maintained as the temporal referent. The following example shows ...
Move over, Wordle, Connections and Mini Crossword—there's a new NYT word game in town! The New York Times' recent game, "Strands," is becoming more and more popular as another daily activity ...
"Watermelon Man" is a jazz standard written by Herbie Hancock for his debut album, Takin' Off (1962). Hancock's first version was recorded in a hard bop style, featuring solos by trumpeter Freddie Hubbard and saxophonist Dexter Gordon. [1]
Borthwick, Stuart, & Moy, Ron (2004) Popular Music Genres: An Introduction. Edinburgh: Edinburgh University Press. Fabbri, Franco (1982) A Theory of Popular Music Genres: Two Applications. In Popular Music Perspectives, edited by David Horn and Philip Tagg, 52–81. Göteborg and Exeter: A. Wheaton & Co., Ltd.
"Street Life" is a song by American jazz band the Crusaders, released in 1979 by MCA Records as a single from the album of the same name. The lead vocals were performed by Randy Crawford . [ 1 ] The song was a hit in the US, reaching number 36 on the Billboard Hot 100 , [ 2 ] and in Europe, where it peaked at number 5 on the UK Singles Chart ...
"Afro Blue" was the first jazz standard built on a typical African 3:2 cross-rhythm, or hemiola. [2] The song begins with the bass repeatedly playing six cross-beats per measure of 12 8 or six cross-beats per four main beats—6:4 (two cells of 3:2).