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Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s. This era is defined as late Baroque / Rococo style.
In 1666, Charles II of England, Scotland and Ireland, following the earlier example of Louis XIV of France, decreed that at court, men were to wear a long coat, a vest or waistcoat (originally called a petticoat, a term which later became applied solely to women's dress), a cravat, a periwig or wig, and breeches gathered at the knee, as well as ...
Styles, John: The Dress of the People: Everyday Fashion in Eighteenth-Century England, New Haven, Yale University Press, 2007, ISBN 9780300121193; Takeda, Sharon Sadako, and Kaye Durland Spilker, Fashioning Fashion: European Dress in Detail, 1700–1915, LACMA/Prestel USA (2010), ISBN 9783791350622; Tortora, Phyllis G. and Keith Eubank.
ISBN 0-89676-027-8; Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Baumgarten, Linda: What Clothes Reveal: The Language of Clothing in Colonial and Federal America, Yale University Press,2002. ISBN 0-300-09580-5; Black, J. Anderson and Madge Garland: A History of Fashion, Morrow, 1975.
The dresses had a fitted bodice and it gave a high-waist appearance. The style had waxed and waned in fashion for hundreds of years. The shape of the dresses also helped to lengthen the body's appearance. The clothing can also be draped to maximize the bust. Lightweight fabrics were typically used to create a flowing effect.
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In England from the 1630s, under the influence of literature and especially court masques, Anthony van Dyck and his followers created a fashion for having one's portrait painted in exotic, historical or pastoral dress, or in simplified contemporary fashion with various scarves, cloaks, mantles, and jewels added to evoke a classic or romantic mood, and also to prevent the portrait appearing ...