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It primarily focuses on the impact of the ongoing anti-India insurgency in Jammu and Kashmir, and is a winner of the Crossword Prize for Nonfiction. [1] It was also included in the 2010 issues of both the 'Books of the Year' list by The Economist [ 2 ] and 'A Year's Reading' by The New Yorker .
Opus 100 is a collection by American writer and scientist Isaac Asimov.It was published by Houghton Mifflin on 16 October 1969. Asimov chose to celebrate the publication of his hundredth book by writing about his previous 99 books, including excerpts from short stories and novels, as well as nonfiction articles and books.
First edition. True Stories: Selected Non-Fiction is a collection of short non-fiction works by Australian writer Helen Garner first published in 1996 by Text Publishing. [1] [2] The short works in the collection start with Garner's immediate notes as a school teacher to her journalist accounts of visiting a morgue and a maternity ward in a hospital. [3]
A Writer's Diary (Russian: Дневник писателя; Dnevnik pisatelya) is a collection of non-fiction and fictional writings by Fyodor Dostoevsky.Taken from pieces written for a periodical which he both founded and produced, it is normally published in two volumes: the first covering those articles published in the years 1873 and 1876, the second covering those published in the years ...
In Fact offers the best twenty-five stories that were published in Creative Nonfiction ' s first ten years of existence. Culled from the 300 pieces published in the journal themselves chosen from over 10,000 manuscripts, the stories reprinted in In Fact showcase the possibilities of the emergent genre of creative nonfiction in pieces by already famous authors and those likely to become famous.
The Right to Write: An Invitation and Initiation into the Writing Life is a nonfiction book about the creative process that was written by Julia Cameron in the first person. The book includes the author's experiences of writing and also has exercises for the reader.
Back in the 1980s, former HBO Documentary Films president Sheila Nevins saw an opportunity in the nonfiction short format. “I was watching the Academy Awards one night and there was this ...
The book was lauded by critics as an opportunity to see another side of Ferrante, who was trying her hand in short non-fiction for the first time. The columns were seen as uneven, with some raising more attention than others. [9] Cassandra Luca, writing for the Crimson, noticed: "This essay collection is subtle.