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TOHO Studios Co., Ltd. [1] (Japanese: TOHOスタジオ株式会社, Hepburn: Tōhō Sutajio kabushiki gaisha) is a Japanese film studio and production company that is a subsidiary of Toho Co., Ltd. One of the most successful films produced by Toho Studio is the live-action film Godzilla Minus One (2023), which generated more than $100 million ...
Godzilla vs. Destoroyah (Japanese: ゴジラVSデストロイア, Hepburn: Gojira tai Desutoroia) [a] is a 1995 Japanese kaiju film directed by Takao Okawara, with special effects by Kōichi Kawakita.
Godzilla vs. Destoroyah: Final Heisei Godzilla film; first appearance of Destoroyah; third and final appearance of Godzilla Junior. Gakkō no Kaidan: First film in the "Gakkō no Kaidan" series Doraemon: Nobita's Diary on the Creation of the World: AKA Doraemon: Nobita no Sōsei Nikki; anime; 16th film in the Doraemon feature film series Gakkō ...
Godzilla vs. King Ghidorah gave Godzilla's first concrete birth story, featuring a dinosaur named Godzillasaurus that was mutated by nuclear radiation into Godzilla. Godzilla was portrayed by Kenpachiro Satsuma for the Heisei films while the special effects were directed by Koichi Kawakita , with the exception of The Return of Godzilla , for ...
Toho International, Inc. (国際東宝㈱, Kokusai Tōhō Kabushiki Gaisha) [2] is an American company that is a subsidiary of Japanese entertainment company Toho. [3] [4] [5] Founded in May 1953, the company was initially created to sell films by Toho in North and South America; amongst their first features to export overseas were Seven Samurai and Godzilla (both 1954). [3]
Toho Animation (stylized as TOHO animation) is a Japanese anime production label founded in 2012, and owned by Toho Co., Ltd., which is one of the top three film distributors in Japan. The process of the label is done in a similar fashion to Warner Bros. Pictures Animation , Paramount Animation and Sony Pictures Animation .
The Burning form was introduced in Toho's Godzilla vs. Destoroyah (1995) and was treated as an impending doomsday trigger, however, King of the Monsters reinterprets it as a temporary power-up due to Godzilla's increased radiation levels after being directly blasted with a nuclear warhead.
Writer Max Borenstein stated that the Monsterverse did not begin as a franchise but as an American reboot of Godzilla.Borenstein credits Legendary Entertainment's founder and then CEO Thomas Tull as the one responsible for the Monsterverse, having acquired the rights to Godzilla and negotiated the complicated rights to King Kong.