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A hexameter line can be divided into six feet (Greek ἕξ hex = "six"). In strict dactylic hexameter, each foot would be a dactyl (a long and two short syllables, i.e. – u u), but classical meter allows for the substitution of a spondee (two long syllables, i.e. – –) in place of a dactyl in most positions. Specifically, the first four ...
Works and Days (Ancient Greek: Ἔργα καὶ Ἡμέραι, romanized: Érga kaì Hēmérai) [a] is a didactic poem written by ancient Greek poet Hesiod around 700 BC. It is in dactylic hexameter and contains 828 lines.
Goold writes that "a didactic poem is seldom an exhaustive treatise" and argues that Manilius likely gave a "perfunctory account of the planets' natures in the great lacuna [and then] considered his obligations duly discharged". [119] Others have argued the work was originally longer and some hypothesize it comprised eight books.
Dactylic hexameter, the meter of the Iliad, Odyssey and Aeneid, used for epic and other narrative and didactic poetry Elegiac couplet , consisting of a line of dactylic hexameter and one of dactylic pentameter , employed by Ovid for all his extant works except the Metamorphoses
Aratus of Soli. Aratus (/ ə ˈ r eɪ t ə s /; Ancient Greek: Ἄρατος ὁ Σολεύς; c. 315/310 – 240 BC) was a Greek didactic poet.His major extant work is his hexameter poem Phenomena (Ancient Greek: Φαινόμενα, Phainómena, "Appearances"; Latin: Phaenomena), the first half of which is a verse setting of a lost work of the same name by Eudoxus of Cnidus.
Greek poetry is based on syllable length, not on syllable stress, as in English.The two syllable lengths in Greek poetry are long and short.It is probable that in the natural spoken language there were also syllables of intermediate length, as in the first syllable of words such as τέκνα /tékna/ 'children', where a short vowel is followed by a plosive + liquid combination; but for poetic ...
The Latin rhythmic hexameter [1] or accentual hexameter [2] is a kind of Latin dactylic hexameter which arose in the Middle Ages alongside the metrical kind. The rhythmic hexameter did not scan correctly according to the rules of classical prosody; instead it imitated the approximate sound of a typical metrical hexameter by having roughly the same number of syllables and putting word accents ...
The elegiac couplet is presumed to be the oldest Greek form of epodic poetry (a form where a later verse is sung in response or comment to a previous one). Scholars, who even in the past did not know who created it, [3] theorize the form was originally used in Ionian dirges, with the name "elegy" derived from the Greek ε, λεγε ε, λεγε—"Woe, cry woe, cry!"