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A piece in a major key might modulate up a fifth to the dominant (a common occurrence in Western music), resulting in a new key signature with an additional sharp. If the original key was C-sharp, such a modulation would lead to the theoretical key of G-sharp major (with eight sharps) requiring an F in place of the F ♯. This section could be ...
Maurice Ravel selected C-sharp major as the tonic key of "Ondine" from his piano suite Gaspard de la nuit. Erich Wolfgang Korngold composed his Piano Concerto for the Left Hand, Op. 17, in C-sharp. The Allegro de concierto by Spanish composer Enrique Granados is written in C-sharp major.
Seven sharps may refer to: C-sharp major, a major musical key with seven sharps; A-sharp minor, a minor musical key with seven sharps; Seven Sharp, ...
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
Key signatures indicate which notes are to be played as sharps or flats in the music that follows, showing up to seven sharps or flats. Notes that are shown as sharp or flat in a key signature will be played that way in every octave—e.g., a key signature with a B ♭ indicates that every B is played as a B ♭.
Some keys (such as C ♯ major with seven sharps) may be written as an enharmonically equivalent key (D ♭ major with five flats in this case). In rare cases, the sharp keys may be extended further, G ♯ → D ♯ → A ♯ → E ♯ → B ♯ → F → C, requiring double sharps in the key signature: F, C, G, D, A, E, B.
Following the clef, the key signature is a group of 0 to 7 sharp or flat signs placed on the staff to indicate the key of the piece or song by specifying that certain notes are sharp or flat throughout the piece, unless otherwise indicated with accidentals added before certain notes.
In practice, the choice of key name is restricted to the 30 keys whose signatures have no double flats or double sharps. (Such key signatures are used for so-called theoretical keys which are almost never encountered outside music-theoretical exercises.) [b] Keys with 6 flats and 6 sharps, [c] with 7 flats and 5 sharps [d] and with 5 flats and ...