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Weber had read the works of Goethe at the age of 14; he used Goethe's conception of human "elective affinities" to formulate a large part of sociology. [14] [13] Walter Benjamin wrote an essay entitled "Goethe's Elective Affinities". Published in Neue Deutsche Beiträge in 1924. It is one of his important early essays on German Romanticism.
Johann Wolfgang von Goethe [a] (28 August 1749 – 22 March 1832) was a German polymath, who is widely regarded as the greatest and most influential writer in the German language. His work has had a profound and wide-ranging influence on Western literary , political , and philosophical thought from the late 18th century to the present day.
Clearing Up: Coast of Sicily, Andreas Achenbach, 1847. Sturm und Drang (/ ˌ ʃ t ʊər m ʊ n t ˈ d r æ ŋ,-ˈ d r ɑː ŋ /, [1] German: [ˈʃtʊʁm ʔʊnt ˈdʁaŋ]; usually translated as "storm and stress" [2]) was a proto-Romantic movement in German literature and music that occurred between the late 1760s and early 1780s.
The birth of the bildungsroman is normally dated to the publication of Wilhelm Meister's Apprenticeship by Johann Wolfgang von Goethe in 1795–96, [8] or, sometimes, to Christoph Martin Wieland's Geschichte des Agathon of 1767. [9] Although the bildungsroman arose in Germany, it has had extensive influence first in Europe and later throughout ...
[1] [2] The novel is made up of biographical and auto-biographical facts in relation to two triangular relationships and one individual: Goethe, Christian Kestner, and Charlotte Buff (who married Kestner); Goethe, Peter Anton Brentano, Maximiliane von La Roche (who married Brentano), and Karl Wilhelm Jerusalem, who died by suicide on the night ...
German Romanticism was accordingly rooted in both the quest, epitomized by Baron Joseph von Laßberg, Johann Martin Lappenberg, and the Brothers Grimm, for decolonisation, a distinctly German culture, and national identity, and hostility to certain ideas of The Enlightenment, the French Revolution, the Reign of Terror, and the First French Empire.
Faust: A Tragedy (German: Faust. Eine Tragödie, pronounced [faʊ̯st ˈaɪ̯nə tʁaˈɡøːdi̯ə] ⓘ, or Faust. Der Tragödie erster Teil [Faust. The tragedy's first part]) is the first part of the tragic play Faust by Johann Wolfgang von Goethe, and is considered by many as the greatest work of German literature. [1]
A style within Romanticism. Finds man inherently sinful and self-destructive and nature a dark, mysterious force E. T. A. Hoffmann, Ludwig Tieck, Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, Edwin Arlington Robinson: Lake Poets: A group of Romantic poets from the English Lake District who wrote about nature and the sublime [37]