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The Photo-Drama purported that the seven creative "days" in the Book of Genesis equal 49,000 years, based on Russell's belief that each creative day lasts 7,000 years. It claimed that 48,000 years have already passed, such that the final thousand years are "near at hand". [11] The slides from the Photo-Drama of Creation.
Ussher further narrowed down the date by using the Jewish calendar to establish the "first day" of creation as falling on a Sunday near the autumnal equinox. [9] The day of the week was a backward calculation from the six days of creation with God resting on the seventh, which in the Jewish calendar is Saturday—hence, Creation began on a Sunday.
In one sense, it refers to the Genesis creation narrative spanning Genesis 1:1–2:3: [1] corresponding to the creation of the light (day 1); the sky (day 2); the earth, seas, and vegetation (day 3); the sun and moon (day 4); animals of the air and sea (day 5); and land animals and humans (day 6).
The Hexaemeron of Basil of Caesarea (d. 379) is a fourth-century Greek commentary on the Genesis creation narrative (or a Hexaemeron).It is the first known work in this genre by a Christian, following Jewish predecessors of the genre like Philo of Alexandria's De opificio mundi and a now lost work by Aristobulus of Alexandria.
Russell directed the production of a worldwide roadshow presentation titled The Photo-Drama of Creation, an innovative eight-hour religious film in four parts. It was the first major screenplay to incorporate synchronized sound, moving film, and color slides. [ 48 ]
Days of Creation: The First Day (c. 1870–1876). Watercolour and gouache. Fogg Art Museum, Harvard University. Items portrayed in this file depicts.