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As the chords of a 12-bar blues follow a form, so does the melodic line. The melodic line might just be the melody of the piece or it might also include lyrics. The melody and lyrics frequently follow an AA'B form, meaning one phrase is played then repeated (perhaps with a slight alteration), then something new is played. [14]
The basic 12-bar lyric framework of many blues compositions is reflected by a standard harmonic progression of 12 bars in a 4/4 time signature. The blues chords associated to a twelve-bar blues are typically a set of three different chords played over a 12-bar scheme.
The sixteen-bar blues can be a variation on the standard twelve-bar blues or on the ... subdominant, and tonic chords (bars 9, 10, and 11–12, respectively) are ...
In rock and blues, musicians also often refer to chord progressions using Roman numerals, as this facilitates transposing a song to a new key. For example, rock and blues musicians often think of the 12-bar blues as consisting of I, IV, and V chords. Thus, a simple version of the 12-bar blues might be expressed as I–I–I–I, IV–IV–I–I ...
Steedman (1984) [1] has proposed a set of recursive "rewrite rules" which generate all well-formed transformations of jazz, basic I–IV–I–V–I twelve-bar blues chord sequences, and, slightly modified, non-twelve-bar blues I–IV–V sequences ("rhythm changes"). The typical 12-bar blues progression can be notated
"Road Runner" is a 12-bar blues song performed by American rock and roll performer Bo Diddley, originally released as a single by Checker Records in January 1960, [1] and later released on the LP record Bo Diddley in the Spotlight. The song reached #20 on Billboard magazine's Hot R&B Sides chart, [3] and #75 on the Hot 100. [4]
Chords with more than three notes include added tone chords, extended chords and tone clusters, which are used in contemporary classical music, jazz and almost any other genre. A series of chords is called a chord progression. [1] One example of a widely used chord progression in Western traditional music and blues is the 12 bar blues progression.
A common type of three-chord song is the simple twelve-bar blues used in blues and rock and roll. Typically, the three chords used are the chords on the tonic, subdominant, and dominant (scale degrees I, IV and V): in the key of C, these would be the C, F and G chords.