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Actually hand-drawing 24 unique frames per second ("1's") is costly. Even in big budget films, usually hand-drawn animation is done shooting on "2's" (one hand-drawn frame is shown twice, so only 12 unique frames per second) [4] and some animation is even drawn on "4's" (one hand-drawn frame is shown four times, so only six unique frames per ...
As well, the formats must have been used to make more than just a few test frames. The camera must be fast enough (in frames per second) to create an illusion of motion consistent with the persistence of vision phenomenon. The format must be significantly unique from other listed formats in regard to its image capture or image projection. The ...
The frame rate refers to how often a new field is shown per second. At 50 Hz, 50 fields are shown each second. This results in 25 full frames per second when the odd and even fields are combined. At 60 Hz, 60 fields are shown per second. This results in 30 full frames per second. Interlacing affects how motion is perceived in 1080i.
In early cinema history, there was no standard frame rate established. Thomas Edison's early films were shot at 40 fps, while the Lumière Brothers used 16 fps. This had to do with a combination of the use of a hand crank rather than a motor, which created variable frame rates because of the inconsistency of the cranking of the film through the camera.
The maximum frequency can be found by multiplying three figures; the number of frames (images) per second, number of lines per frame and maximum number of sine periods per line. In the table below number of frames per second, number of lines per frame and the video band width in different systems are shown. [1]
This is a list of films with high frame rates.Only films with a native (without motion interpolation) shooting and projection frame rate of 48 or higher, for all or some of its scenes, are included, as are films that received an official post-conversion using technologies such as TrueCut Motion.
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One foot of standard 35mm film contains 16 frames, and a standard recording speed is 24 frames per second, or 1.5 feet per second; a 90-minute feature film shot in this way on conventional film stock is therefore equivalent to more than a mile and a half of footage. [31] found footage (film technique) fourth wall frame